From major television networks to Hollywood soundstages, Broadcast & Production is the collection audio professionals turn to when they want to give their projects the finishing touches of power and perfection. With 18 state-of-the-art tools for audio restoration, mixing, mastering, and more, B&P gives you everything you need to take it to the airwaves.
L2 Ultramaximizer - Take it to the limit.
For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.
- Up to 192 kHz resolution
- Double precision processing
- 2 types of IDR™ Increased Digital Resolution dither
- Moderate, Normal, and Ultra noise-shaping modes
- Threshold, Out Ceiling and Release controls
- Manual and ARC™ Automatic Release Control
- Attenuation meter
Linear Phase Equalizer - Amazing Transparent. Pinpoint Accurate.
Conceived and created with Mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.
- Nine linear phase filter types, with Resonant and V-Slope Shelf and Cut filters
- Five bands of paragraphic equalization, plus dedicated low frequency band
- +/- 30 dB per band gain change range
- Mono and Stereo, Broadband and Lowband components
- Individual Gain, Frequency, Q, and Filter Type controls for each band
- Master controls for Gain, Trim, Method, Dither, and Scale
- Up to 96 kHz resolution
- Double precision processing
Linear Phase MultiBand - Crystal clear multiband compression.
Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers which deliver unparalleled multiband compression, EQ, and limiting.
- 5 discrete bands with individual Threshold, Gain, Range, Attack, Release, Solo and Bypass controls
- ARC™ Automatic Release Control
- Master controls for Gain, Trim, Dither, Makeup, Adaptive, Release, Behavior, and Knee
- Double precision processing
- Up to 96 kHz resolution
Doubler - Fatten up your tracks.
When professional engineers need superior double tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.
- 2 or 4 voices
- Mono & Stereo components
- Wide Range 100 cents for detune & 200 cents for modulation
- Independent Detune, Pan, Delay, EQ and Volume controls for each voice.
- Gain, Pan, Delay, Feedback, Octave, Detune, Depth, and Rate controls for each voice.
- Mono to Stereo and Stereo enhancement
- Input Source Control a stereo source input selection for normal LR and L, R, L-R, L+R
- LFO Sync Functions
IR-L - Real spaces. Realtime control.
When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1 using a simple, streamlined interface for maximum ease and efficiency.
- Four different channel processing configurations
- Reverb Time controls for Convolution Start and Length, RT60, and Ratio
- Wet/Dry, Predelay, Dry Signal Latency, Direct signal On/Off, CPU Mode, and Output Gain controls
- Impulse Response info display
- RT60 extends reverb time up to four times while preserving natural envelope and frequency content
- Up to 96kHz resolution
- Double precision processing
- Upgradeable to IR1 or IR360¢ª
- Large Impulse Response library including Wembley Arena, Grand Ole Opry, Sydney Opera House, Walt Disney Hall, CBGB’s, Birdland, Westlake Recording Studios, plus many other Halls, Auditoriums, Theaters, Churches, Studios, and more!
Renaissance Axx - Plug it in. Turn it up.
Specifically engineered for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.
- Threshold Sets the point at which attenuation begins and controls automatic make-up gain
- Gain Attenuates the output signal
- Attack Sets the time it takes to begin attenuation after signal passes the threshold.
- Input Meter Displays the signal input level, with a peak hold function for both input channels
- Output Meter Displays the output level, with a peak hold function for both output channels
- Attenuation Meter Indicates attenuation level from the compressor and output limiter.
Renaissance Bass - MaxxBass®. Renaissance interface.
Renaissance Bass delivers Waves patented MaxxBass® psycho-acoustic technology using simplified controls for quick, intuitive operation. Pumping up your bass has never been easier!
- Extends perceived bass response by up to 1.5 octaves
- Original bass signal In/Out switch
- Harmonics Intensity, Frequency and Output Gain controls
- Input, Harmonics and Output meters
- Delivers bigger bass from any system
- Clip-free performance
- Double precision processing
Renaissance Channel - Vintage excellence, times four.
A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers unsurpassed flexibility and performance.
- Double precision processing
- Selectable EQ/Dynamics signal flow
- 4-band equalizer based on the Renaissance EQ
- Overload Protection for clip-free input and output
- Independent gate and compression side-chaining and filtering
- Output phase inversion switch
- Stereo Rotation control
Renaissance Compressor - Analog punch. Digital precision.
Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.
- Vintage Opto and modern Electro compression modes
- Reduction/Expansion, Input/Output and Limiting meters
- Attack, Release, Threshold, Ratio and Gain controls
- Internal brickwall limiting for clip-free output
- ARC™ Auto Release Control for increased RMS levels
- Warm/Smooth character control switch
- Extended internal headroom
- Lower peak to RMS ratio
- Extensive preset library
- Double precision processing
Renaissance DeEsser - Shush the shh.
Nothing ruins a great vocal track like excess “ess” and “shh” sounds, otherwise known as sibilance. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.
- Ideal for tracking, mastering, live sound, and broadcast
- Adaptive Threshold and Adjustable Gain Reduction
- Phase compensated crossover
- Audio or Side-chain monitoring
- Threshold and Range control faders
- 2KHz to 18KHz adjustable side-chain frequency control
- High-pass or Band-pass side-chain filter types
- Output peak metering with clip indicator
- Double precision processing
Renaissance Equalizer - Analoge warmth. Paragraphic control.
Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile paragraphic EQ with a warm, analog-style sound.
- 2, 4, and 6 band versions
- Double precision processing
- Up to 192kHz resolution
- Natural asymmetrical bell filters
- Simultaneous multi-parameter controls
- Gain, Frequency, Q, In/Out and Filter Type controls
- Stereo, mono or dual-mono operation modes
- Copy and Paste parameters
Renaissance Reverb - Classic sound. Precision controls.
With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance, with extraordinary texture and density.
- 12 reverb types including Halls, Plates, Gated, Reverse, and more
- Paragraphic dual-band EQ and damping with High and Low frequency controls
- De-correlation for fine tuning early reflections
- Negative Predelay delays the dry signal
- Predelay, Time, Size, Diffusion and Decay controls
- Early Reflections, Reverb Tail, Wet/Dry balance and Input Gain controls
Renaissance Vox - Smooth Sound. Vivid vocals
A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.
- Downward expander/Gate with soft-knee
- Soft-knee compressor with auto make-up gain
- Compression and gate/expansion controls
- Input, gain reduction and output meters
- Output stage peak limiter
- Double precision processing
X-Click - Clean your click.
Ideal for restoring vintage vinyl and shellac records, X-Click removes strong transient noise like clicks, spikes, switching noise, digital crosstalk, and thyristor buzz while preserving the sonic integrity of your source material.
- Threshold and Shape controls
- Visual Scope displays intensity of clicks
- Automatic and Manual modes
- Click Attenuation and Output metering
- Audio and Difference monitoring
- Real-time track insert capability
- Works well with X-Crackle in a single processing chain
- Double precision processing
X-Crackle - All snap. No Crackle. No Pop
X-Crackle employs the latest psycho-acoustic algorithms to remove crackles and surface noise from vinyl records and damaged recordings, with results equal to or better than more expensive dedicated hardware solutions.
- Threshold and Reduction controls
- Audio and Difference output monitoring
- Frequency-based Visual Scope display
- Crackle Attenuation and Output metering
- Real-time track insert capability
- Works well with X-Click in a single processing chain
- Double precision processing
X-Hum - Hum wreaker.
Featuring a user-friendly interface that’s a snap to learn and use, X-Hum uses eight harmonically linked notch filters to attenuate ground loop hum, DC offset, and low-frequency rumble caused by turntables and tape machines.
- 8 Harmonic Notch Filters with individual Frequency, Q, and Gain controls
- High-pass filter with adjustable Slope and Frequency
- Frequency and Amplitude attenuation display
- Audio and Inverse monitoring
- 3 selectable filter link modes
- Output and Clip metering
- Attenuates up to -60 dB
X-Noise - No noise is good noise.
With simple, intuitive controls similar to those found on traditional dynamics processors, X-Noise is ideal for removing tape hiss as well as air conditioner and computer noise from individual tracks, complete mixes, or damaged recordings.
- Real-time parameter control and monitoring
- Learn mode for Noise Profile creation
- Frequency-based spectral display for Input, Output, and Noise Profile
- Threshold, Reduction, Attack, and Release controls
- Low, Medium, and High resolution settings
- High-shelf Noise Profile shaping
- Audio and Difference output monitoring
Waves Tune LT - Pitch perfect.
The singer has just wrapped up an amazing take. The phrasing, the emotion, the delivery, it’s all there. But there are notes you’d like to change, and others that need to be fixed. You need perfect pitch transformation. You need precision realtime editing capabilities. You need Waves Tune LT. With full ReWire support, formant correction, and an extensive palette of pitch shaping tools, Waves Tune LT lets you do all your editing right there within your DAW environment—no need to export sections or work offline. Better sounding and more flexible than any other pitch correction processor, Waves Tune LT will get your vocals back on track.
- Operates in sync and controls host transport using ReWire
- Global Correction with Reference Pitch, Global Pitch Shift, Formant, and Range controls
- Segmentation section with Root Note, Scale, Tolerance
- Correction section with Speed, Note Transition, and Ratio controls
- Graphic tools with Note and Zoom
- Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch editor
- Three timeline modes including bars/beats, minutes/seconds and samples
- Position window displays note and cents at the cursor location
System Requirements
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Platform
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PC
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Mac
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Intel-based Mac
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Processor
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P4 1GHz or
AMD Athlon 1GHz
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G4 867Mhz
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Core Due 1.66
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RAM
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256 MB
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512 MB
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512 MB
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Operating System
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WinXP 32-bit & SP1 / SP2
Win2000 & SP4
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OS-X 10.2.8
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OS-X 10.4.7
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Screen Resolution
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800x600
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800x600
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800x600
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