Waves Diamond Native Bundle

Waves Diamond Native Bundle Description

A comprehensive collection of audio processing tools, Diamond brings unparalleled signal processing power to your studio, for tracking, mixing, mastering, creative sound design, and audio restoration. Diamond now includes Q-Clone, Waves Tune LT, L3 Multimaximizer, L3-LL Multimaximizer, and IR-L Convolution Reverb as well as all the plug-ins found in Waves Platinum, Restoration, and Transform bundles -a total of 43 essential processors. From dynamics, equalization, and reverb to pitch correction, spatial imaging, and beyond, Diamond is a must-have for every serious studio.

 L1 Ultramaximizer - Legendary loudness.

 The plug-in that started it all: Look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from CD mastering to multimedia, the L1 is world-renowned for its transparency and punch.

• Two types of dither & three noise-shaping curves
• IDR™ Increased Digital Resolution dithering
• Double Precision processing
• Digital and Analog peak control modes
• Sample-accurate peak hold metering
• Mono and stereo components
• Adjustable release time

 L2 Ultramaximizer - Take it to the limit.

For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.

• Up to 192 kHz resolution
• Double precision processing
• 2 types of IDR™ Increased Digital Resolution dither
• Moderate, Normal, and Ultra noise-shaping modes
• Threshold, Out Ceiling and Release controls
• Manual and ARC™ Automatic Release Control
• Attenuation meter

 L3 Multimaximizer - All-in one mastering.

 When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That’s where the L3 comes in: The world’s first auto-summing multi-band limiter for all-in-one mastering.

• PLMixer™ Peak Limiting Mixer automatically maximizes volume
• 5-Band Linear Phase EQ for sweet highs and punchy lows
• IDR™ Increased Digital Resolution Dithering & Noise Shaping
• Brickwall Limiting on all 5 user-definable bands
• Master and Individual ARC™ Adaptive Release Controls
• Priority Controls for individual band attenuation
• Separation Control for blending band interaction
• Double precision processing

 L3 Ultramaximizer - All-in one mastering.

 The L3 Ultramaximizer is a special edition of the L3 which is included with Diamond and Platinum bundles covered by Waves Update Plan as well as included with L3 Multimaximizers purchased separately. It delivers the same great sound as the L3 Multimaximizer using an intuitive, streamlined interface.

 L3-LL Multi - High volume. Low latency.

 With the L3 Multimaximizer, Waves revolutionized the world of mastering. For the first time, producers and engineers could shape the contours of their final mixes with unprecedented precision.

Now, Waves is proud to present the L3-LL, a multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. Plus, its low latency opens up a new world of multi-track possibilities, making it an indispensable tool for mixing and mastering engineers alike.

The L3-LL’s PLMixer™ Peak Limiting Mixer technology, with phase compensated crossover filters designed for low latency, maximizes your volume with breathtaking detail. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.

• Phase compensated crossover filters designed for low latency
• Brickwall limiting on 5 user-definable bands
• Mono and Stereo components
• IDR™ Increased Digital Resolution dithering & noise shaping
• Complete L3 preset sharing and saving
• Double precision processing

 L3-LL Ultra - High volume. Low latency.

The L3-LL Ultramaximizer is a special edition of the L3-LL Multimaximizer which is included with Platinum bundles covered by Waves Update Plan. It delivers the same great sound as the L3-LL Multimaximizer using an intuitive, streamlined interface.

 MaxxBass - Your bass just got bigger.

When you need to seriously pump up your low end, choose MaxxBass®, the bass enhancement technology used on more hit records and major motion pictures than any other. MaxxBass® uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, you actually hear lower, deeper frequencies. For bass you can really feel, it’s got to be MaxxBass®.

• Extends perceived bass response by up to 1 ½ octaves
• Preserves the dynamic range and character off the original bass
• Crossover frequency control
• Mixed output, MaxxBass, and Original bass monitoring
• Input, original bass and harmonics level controls
• Harmonics section with three Highpass filter types and Decay control
• Ratio and Response controls for MaxxBass® harmonics compression
• Output level and Clip metering

 Linear Phase Equalizer - Amazing Transparent. Pinpoint Accurate.

Conceived and created with Mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.

• Nine linear phase filter types, with Resonant and V-Slope Shelf and Cut filters
• Five bands of paragraphic equalization, plus dedicated low frequency band
• +/- 30 dB per band gain change range
• Mono and Stereo, Broadband and Lowband components
• Individual Gain, Frequency, Q, and Filter Type controls for each band
• Master controls for Gain, Trim, Method, Dither, and Scale
• Up to 96 kHz resolution
• Double precision processing

 Linear Phase MultiBand - Crystal clear multiband compression.

Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers which deliver unparalleled multiband compression, EQ, and limiting.

• 5 discrete bands with individual Threshold, Gain, Range, Attack, Release, Solo and Bypass controls
• ARC™ Automatic Release Control
• Master controls for Gain, Trim, Dither, Makeup, Adaptive, Release, Behavior, and Knee
• Double precision processing
• Up to 96 kHz resolution

 TrueVerb - Real room emulation.

Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

• Dimension, Room Size, Distance, Balance, Decay Time, and Density controls
• Frequency Response shaping with Reverb Shelving, Early Reflection Absorption and Low Cut, Frequency, Damping and Ratio
• Input, Direct, Early Reflections and Reverberation gain controls
• Thru and Send modes
• Independent and Linked distance and reverb modes
• Time and Frequency Response graphic interface

 S1 - All natural spread

Ideal for stereo tracks as well as the digital editing and mastering of mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter the stereo effect.

• Three components: Shuffler, Imager, and MS
• Gain, Width, Frequency, Rotation, Asymmetry, and Shuffle controls
• Left/right and Mid-Side input modes and metering
• Stereo Vector Display™ shows processing effect
• Shuffler mode with adjustable bass level
• Polarity and channel swap switches
• Double precision processing
• Mono-compatible
• Phase-compensation

 Renaissance Axx - Plug it in. Turn it up.

Specifically engineered for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

• Threshold Sets the point at which attenuation begins and controls automatic make-up gain
• Gain Attenuates the output signal
• Attack Sets the time it takes to begin attenuation after signal passes the threshold.
• Input Meter Displays the signal input level, with a peak hold function for both input channels
• Output Meter Displays the output level, with a peak hold function for both output channels
• Attenuation Meter Indicates attenuation level from the compressor and output limiter.

 Renaissance Bass - MaxxBass®. Renaissance interface.

Renaissance Bass delivers Waves patented MaxxBass® psycho-acoustic technology using simplified controls for quick, intuitive operation. Pumping up your bass has never been easier!

• Extends perceived bass response by up to 1.5 octaves
• Original bass signal In/Out switch
• Harmonics Intensity, Frequency and Output Gain controls
• Input, Harmonics and Output meters
• Delivers bigger bass from any system
• Clip-free performance
• Double precision processing

 Renaissance Channel - Vintage excellence, times four.

A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers unsurpassed flexibility and performance.

• Double precision processing
• Selectable EQ/Dynamics signal flow
• 4-band equalizer based on the Renaissance EQ
• Overload Protection for clip-free input and output
• Independent gate and compression side-chaining and filtering
• Output phase inversion switch
• Stereo Rotation control

 Renaissance Compressor - Analog punch. Digital precision.

Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.

• Vintage Opto and modern Electro compression modes
• Reduction/Expansion, Input/Output and Limiting meters
• Attack, Release, Threshold, Ratio and Gain controls
• Internal brickwall limiting for clip-free output
• ARC™ Auto Release Control for increased RMS levels
• Warm/Smooth character control switch
• Extended internal headroom
• Lower peak to RMS ratio
• Extensive preset library
• Double precision processing

 Renaissance DeEsser - Shush the shh.

Nothing ruins a great vocal track like excess “ess” and “shh” sounds, otherwise known as sibilance. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.

• Ideal for tracking, mastering, live sound, and broadcast
• Adaptive Threshold and Adjustable Gain Reduction
• Phase compensated crossover
• Audio or Side-chain monitoring
• Threshold and Range control faders
• 2KHz to 18KHz adjustable side-chain frequency control
• High-pass or Band-pass side-chain filter types
• Output peak metering with clip indicator
• Double precision processing

 Renaissance Equalizer - Analoge warmth. Paragraphic control.

Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile paragraphic EQ with a warm, analog-style sound.

• 2, 4, and 6 band versions
• Double precision processing
• Up to 192kHz resolution
• Natural asymmetrical bell filters
• Simultaneous multi-parameter controls
• Gain, Frequency, Q, In/Out and Filter Type controls
• Stereo, mono or dual-mono operation modes
• Copy and Paste parameters

 Renaissance Reverb - Classic sound. Precision controls.

With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance, with extraordinary texture and density.

• 12 reverb types including Halls, Plates, Gated, Reverse, and more
• Paragraphic dual-band EQ and damping with High and Low frequency controls
• De-correlation for fine tuning early reflections 
• Negative Predelay delays the dry signal
• Predelay, Time, Size, Diffusion and Decay controls
• Early Reflections, Reverb Tail, Wet/Dry balance and Input Gain controls

 Renaissance Vox - Smooth Sound. Vivid vocals

A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.

• Downward expander/Gate with soft-knee
• Soft-knee compressor with auto make-up gain
• Compression and gate/expansion controls
• Input, gain reduction and output meters
• Output stage peak limiter
• Double precision processing

  C1 - The ultimate dynamics processor

With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

• Split-band dynamics
• Selectable Filter/EQ settings
• Internal side-chaining
• External side-chaining in Pro Tools
• Dedicated Mono and Stereo components
• Look-ahead feature for precision transient processing
• Three independent modules: Compressor/Expander, Gate/Expander and Filter/EQ
• Four different configurations:
  • C1 Comp - Wideband compressor/expander
  • C1 Gate - Wideband gate/downward expander
  • C1 Comp/Gate - Wideband compressor and gate
  • C1 Comp-SC - Compressor with side chain or split-band compression

 C4 - Compress to impress.

The ultimate multiband dynamics processor, the C4 does it all: 4-bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from our acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.

• 4 fully-parametric bands
• 3 phase-compensated crossovers
• Double precision processing
• DynamicLine™ visual display
• ARC™ Auto Release Control
• Global variable slope Q control
• Solo or Bypass individual bands
• Individual Gain, Range, Attack, Release, and Threshold controls for each band
• Master Gain, Range, Attack, Release, Release type, Threshold, Behavior, and Knee controls

 PS22 - Because two channels are better than one.

 Ideal for audio restoration, sound effects, guitar leads, and more, the PS22 is unsurpassed for Mono to Stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.

• Three components: PS22-Spread, PS22-Split, and PS22-XSplit
• Input Gain, Width, Rotation, Polarity and Channel swap controls
• Spread, Frequency, Shape, Delay and XFeed envelope controls
• FCenter, FDensity, Tweak and Sweeps Spread statistics controls
• Retains mono compatibility
• Preserves original frequency response
• Psycho-acoustic spatial enhancement and phase-compensation
• Left/right or MS meter monitoring

 MetaFlanger - Get swept away.

There’s never been anything quite like the sound of great vintage tape flanging and phaser emulation-until now. MetaFlanger is the future of modulation. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there…and beyond.

• Mix and Feedback phase inversion option
• Wet signal filters
• Processes all or part of signal
• Tape delay emulation switch
• Adjustable delay time
• LFO depth and waveform display
• Rate and Depth Link switch
• Mix, Feedback, and Filter controls
• Modulation Stop switch to freeze the LFO
• Adjustable left and right stereo phase
• Extensive presets including emulations of vintage gear
• Tempo sync

 MondoMod - Modulation, from mild to wild.

MondoMod utilizes an exclusive combination of linked AM, FM and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

• Five waveform types: Sine, Triangle, Saw Up, Saw Down, and Square
• AM (tremolo), FM (vibrato) and Rotation (panning) effects
• Dual value tempo display with multiplication control
• Rotation Center and Range controls
• AM, FM, Depth, and Phase controls
• LFO with 5 selectable waveforms
• Tempo Sync

 DeEsser - Less ess.

 When it comes to reducing excess sibilance (“ess” and “shh” sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

• Sharp side-chain filters
• Ideal for individual tracks and full mixes
• Wide-band or Split compression modes
• Adjustable threshold level and frequency
• High-pass or band-pass side-chain filtering
• Audio or side-chain monitoring
• Side-chain energy display aligned with threshold level slider
• Attenuation and Gain level metering

 IR-L Convolution Reverb - Real spaces. Realtime control.

When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1 using a simple, streamlined interface for maximum ease and efficiency.

• Four different channel processing configurations
• Reverb Time controls for Convolution Start and Length, RT60, and Ratio
• Wet/Dry, Predelay, Dry Signal Latency, Direct signal On/Off, CPU Mode,
  and Output Gain controls
• Impulse Response info display
• RT60 extends reverb time up to four times while preserving natural
  envelope and frequency content
• Up to 96kHz resolution
• Double precision processing
• Upgradeable to IR1 or IR360¢ª
• Large Impulse Response library including Wembley Arena, Grand Ole Opry, Sydney Opera House, Walt Disney Hall, CBGB’s, Birdland, Westlake Recording Studios, plus many other Halls, Auditoriums, Theaters, Churches, Studios, and more!

 Doubler - Fatten up your tracks

When professional engineers need superior double tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

• 2 or 4 voices
• Mono & Stereo components
• Wide Range 100 cents for detune & 200 cents for modulation
• Independent Detune, Pan, Delay, EQ and Volume controls for each voice.
• Gain, Pan, Delay, Feedback, Octave, Detune, Depth, and Rate controls for each voice.
• Mono to Stereo and Stereo enhancement
• Input Source Control a stereo source input selection for normal LR and L, R, L-R, L+R
• LFO Sync Functions 

 Doppler - In one ear. Out the other.

Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With Doppler, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.

• Space Display interface with Direction, Elapsed Time and Track parameters
• Damping, Panning, Pitch, Curve, Gain, Start/Stop, and Reverb controls
• Auto-detection or manual triggering
• Gain, Pan, Pitch, and Air Damp controls with individual Bypass buttons
• Energy, Manual, Continuous Cycling and One-shot modes
• Reverb with Time and Brightness controls

 Q10 Paragraphic Equalizer - Total tonal control.

The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

• 1, 2, 3, 4, 6, 8, and 10 band components
• Mono and Stereo versions of each component
• Individual On/Off, Filter Type, Gain, Frequency, and Q controls for each band
• 5 filter types: Bell, Low Shelf, High Shelf, Low Pass, and High Pass
• Separate or Linked processing and parameter control
• Advanced noise-shaping for optimum fidelity
• Up to 24-bit, 192 kHz resolution
• Over 200 presets for Multimedia, Pseudo-stereo, Band Limiting, Comb Filtering, Crossovers, Hum Removal, and More

 Q-Clone - Legendary hardware EQ modeling.

 There’s nothing like the warmth and character of vintage hardware equalizers. With Q-Clone, you can dig into its massive library of classic EQs, or use the Q-Capture component to model your own hardware favorites. Plus, you can use your captured hardware freely throughout your session, adjusting the sound of each track as if you had dozens of that same equalizer. With so many EQs at your fingertips, Q-Clone is truly an equalization revolution.

• Q-Capture with Transmitting Receiving and Calibration sections
• Q-Clone Frequency Response graph with Scale control
• Capture, Hold and Add Mode controls
• Gain fader with Output and Clip metering
• Automatic output Trim control
• Headroom control for optimal dynamic range
• Double precision processing

 AudioTrack - One plug-in. Three essential processors.

AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plug-in. With equalization, gating and compression, it’s ideal for multimedia, voiceovers, project studios, and more.

• 4-band paragraphic EQ based on our Q10 Equalizer
• Gain, Frequency, Q and 5 filter types for each EQ band
• Gate Threshold, Floor, Attack and Release controls
• Compressor Threshold, Ratio, Attack and Release controls
• Energy, Gain, Output and multi-stage output Clip indicators

 Paz Psychoacoustic Analyzer - Hear it. See it. Believe it.

 Amazingly accurate and a breeze to use, the PAZ analyzer generates a comprehensive realtime visual representation of your audio’s stereo positioning, frequency spread, and Peak/RMS levels.

• Peak or RMS frequency analysis modes
• Four components: Analyzer, Position, Frequency, and Meters
• L/R peak and RMS displays, with individually re-settable peak hold values
• Distinct Position, Frequency and Meters components
• Stereo position display including anti-phase information
• Optional resolution in 10Hz steps can be shown for precise analysis below 250Hz
• Mono and stereo compatible
• 52 or 68 band analysis
• Analyzer, Pan and VU meters
• 32-bit floating point processing
• Accurate to -80dBFS
• Save results as text file
• Real-time vector display with zoom

 Enigma - Modulate. Transform. Transcend

Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures that will blow your listeners’ minds.

• Complex 6-notch filter system
• Stereo, Mono and Phase-reversed Mono modes
• Notch, Modulation, Feedback and Output sections
• Dedicated filters for Notch and Feedback
• Tempo Sync
• Up to 24-bit, 192kHz resolution

 SuperTap - Analog style. Digital precision

Inspired by the legacy of the classic analog tape delays, SuperTap’s extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

• 2 and 6 tap components with switchable modulation
• Mono and Stereo compatible
• Tempo sync
• Tap-Pad for tempo tapping or pattern switching
• Modulation On/Off, Rate and Depth controls
• Master delay BPM and ms tempo display grid with Snap control
• Individual EQ filters with six curve types for each tap
• Feedback Mode, On/Off, Gain, Rotation and filter controls
• Global LFO modulation and 2 feedback modes
• Independent Panning, Rotation, Gain, and Time controls for each tap
• Spatial positioning vector display
• Progressively shift through (and outside) the entire stereo image

 Waves Tune LT - Pitch perfect.

The singer has just wrapped up an amazing take. The phrasing, the emotion, the delivery, it’s all there. But there are notes you’d like to change, and others that need to be fixed. You need perfect pitch transformation. You need precision realtime editing capabilities. You need Waves Tune LT. With full ReWire support, formant correction, and an extensive palette of pitch shaping tools, Waves Tune LT lets you do all your editing right there within your DAW environment—no need to export sections or work offline. Better sounding and more flexible than any other pitch correction processor, Waves Tune LT will get your vocals back on track.

• Operates in sync and controls host transport using ReWire
• Global Correction with Reference Pitch, Global Pitch Shift, Formant, and Range controls
• Segmentation section with Root Note, Scale, Tolerance
• Correction section with Speed, Note Transition, and Ratio controls
• Graphic tools with Note and Zoom
• Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch editor
• Three timeline modes including bars/beats, minutes/seconds and samples
• Position window displays note and cents at the cursor location  

 UltraPitch - Perfect harmony.

When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.

• Mono and Stereo pitch shifting and harmonization
• 7 Pitch detection Modes
• Pitch Detector and Voice Character graphs
• Gain, Pan and Delay controls for each voice
• Random asynchronicity using Animation Amount control
• independent stereo panning and delay
• Selectable pitch via pull-down keyboard
• Linked or Free formant correction curves
• 3-Voice and 6-Voice components

 SoundShifter - Time and pitch, transformed

The world’s most advanced pitch-shifting and time-shifting processor, SoundShifter lets you change keys, change tempos, change durations, and manipulate the time-pitch continuum with unmatched accuracy and clarity. For tonal transformation and transposition, SoundShifter is simply all you'll ever need.

• Parametric, graphic, and real-time components
• Punchy, smooth, transient, and sync modes
• Multiple link, display, and control options
• Time, Tempo, Bars, Samples, SMPTE, Feet & Frames, Pitch, Interval, and Frequency controls
• Pro Tools Time-Trimmer integration
• Parametric Tool for fixed ratio off-line time/pitch scaling
• Graphic Tool for time/pitch scaling with variable automated ratios
• Real Time Tool for immediate no-hassle real time pitch shifting
• Sync, Smooth, Transient and Punchy modes
• Trimmer Tool for seamless editing integration
• Extensive control & display options: Time, Tempo, Bars, Samples, SMPTE, Feet & Frames, Pitch, Interval, and Frequency.
• Four Link Modes: Unlinked, Time, Pitch, and Strapped
• Waves-System Automation allows extensive automation of time/pitch manipulations in real time and Graphic modes.

 X-Noise - No noise is good noise.

With simple, intuitive controls similar to those found on traditional dynamics processors, X-Noise is ideal for removing tape hiss as well as air conditioner and computer noise from individual tracks, complete mixes, or damaged recordings.

• Real-time parameter control and monitoring
• Learn mode for Noise Profile creation
• Frequency-based spectral display for Input, Output, and Noise Profile
• Threshold, Reduction, Attack, and Release controls
• Low, Medium, and High resolution settings
• High-shelf Noise Profile shaping
• Audio and Difference output monitoring

 X-Hum - Hum wreaker.

Featuring a user-friendly interface that’s a snap to learn and use, X-Hum uses eight harmonically linked notch filters to attenuate ground loop hum, DC offset, and low-frequency rumble caused by turntables and tape machines.

• 8 Harmonic Notch Filters with individual Frequency, Q, and Gain controls
• High-pass filter with adjustable Slope and Frequency
• Frequency and Amplitude attenuation display
• Audio and Inverse monitoring
• 3 selectable filter link modes
• Output and Clip metering
• Attenuates up to -60 dB

 X-Click - Clean your click.

Ideal for restoring vintage vinyl and shellac records, X-Click removes strong transient noise like clicks, spikes, switching noise, digital crosstalk, and thyristor buzz while preserving the sonic integrity of your source material.

• Threshold and Shape controls
• Visual Scope displays intensity of clicks
• Automatic and Manual modes
• Click Attenuation and Output metering
• Audio and Difference monitoring
• Real-time track insert capability
• Works well with X-Crackle in a single processing chain
• Double precision processing

 X-Crackle - All snap. No Crackle. No Pop

X-Crackle employs the latest psycho-acoustic algorithms to remove crackles and surface noise from vinyl records and damaged recordings, with results equal to or better than more expensive dedicated hardware solutions.

• Threshold and Reduction controls
• Audio and Difference output monitoring
• Frequency-based Visual Scope display
• Crackle Attenuation and Output metering
• Real-time track insert capability
• Works well with X-Click in a single processing chain
• Double precision processing

 Morphoder - The vocoder, redefined

Taking the classic sound of the original Vocoder to new heights, Morphoder lets you combine two distinct audio signals to create never-before-heard sonic combinations with unmatched clarity and definition.

• 8-voice stereo synthesizer with 10 optimized waveforms
• Q-optimized bands
• Onscreen 4-octave keyboard
• MIDI & Formant control
• Noise generator with filter for articulation, edge, and air control
• Modulator with Linear Phase EQ
• Advanced frequency information display
• Modulator compression for pressure function optimization

 TransX - Total transient transformation

Perfect for breathing new life into drum loops, accentuating or attenuating instrumental attacks, and modifying room acoustics, TransX is a revolutionary processor that shapes transients and revitalizes individual tracks and full mixes.

• Adds punch, softens edges, highlights sustain
• Controls room sound
• Adjusts microphone distance
• Multi and Wideband components
• Multi features individual Range and Sensitivity for each band
• Wideband controls for Range, Sensitivity, Duration, Release, and Trim
• Double precision processing

System Requirements