Electro Harmonix Bass Big Muff Pi Stomb Pedal for Bass, Distortion/Fuzz, Controls for Volume - Tone - Sustain, Mini Switch for Bass Boost, long, creamy sustain, fat fuzz sound, solid treble and transparent bass sound , Ac Adapter not included

Classic Vacuum Tube Overdrive. With the Vintage Tube Overdrive VT911 effects pedal, you get distortion with the distinctive tonal quality that only a real tube can deliver, bringing vintage sound back to life.

The Vexter Fuzz Factory is identical in construction to the newest hand-painted Fuzz Factories, including a DC power jack and on/off LED indicator. Because it is hand silk-screened instead of hand-painted, we are able to offer it at a somewhat reduced price!

Few pedals have the legendary status the Grunge has achieved. A top seller for more than a decade.

The pedal that started it all The distortion countless musicians such as Hendrix, Santana and Jack White relied on for its rich, creamy, violin-like sustain. A timeless piece, the Big Muff has been defining the sound of rock guitar for the past 30 years.

To buy this pedal you must be insane. Even I don't get how to use this pedal. This sheet explains the probe portion of your unit.

This is a five-knob fuzz using two new old-stock sixties germanium transistors. The circuit is not modeled after any classic fuzz design, but should have been around when Leary was still lucid.

The Vintage Octa Screamer is not for the faint at heart!

The VPD1 vintage pre-drive pedal is a lot more than just an overdrive.

The TC Electronic Nova Drive Analog Overdrive and Distortion Drive Pedal takes the drive circuit from the Nova System and pairs it with a level of programmability and control never before seen in a stand-alone analog drive pedal.

The original Fuzz Face, as created by Dallas-Arbiter of Great Britain. Ruggedly constructed to the vintage specs, with the original Germanium PNP transistor design.

The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys. Dunlop’s engineering department examined hoards of vintage Fuzz Faces, honing in on a few units which possessed that unmistakable Jimi voodoo.

When it comes to guitar, Dime doesn’t need a ‘warm’ or ‘pretty’ sound. He can’t be bothered with ‘vintage’ this or ‘boutique’ that. He wants a heavy, aggressive, razor sharp tone that can slice through a loud band and a louder crowd. It’s a tone that rages with distortion but remains tight and focused enough to keep up with lightning-fast…

A true Rock N’ Roll artifact—Hendrix’s chipped, off-white, “cheese wedge” pedal with hand stenciled lettering—is enshrined at the Experience Music Project, Seattle’s hallowed rock and roll museum. Jimi’s original octave dividers don’t look like much, but these magic boxes produced the unforgettable fuzzed-out octave tones heard on the legendary Band of Gypsys: Live at Fillmore East performance.