"I saw my first Mustang guitar on a ‘60s TV show called Shindig and a guitarist by the name of Jerry Cole doing solos for many guest artists. Soon after that, I had my band members drive me to 8th Street Music in Philadelphia to buy my first Mustang. The ‘60s Mustang replica pickups feature the same look and…

 Originally developed for Johnny Farina of "Santo & Johnny," the pickup for Stringmaster® is wound for that distinct lap steel sound. The front-side position is wound "top going" and North polarity. The rear-side position is wound "top coming" and South polarity. When used in combination with each other the pickups will be humbucking. Both pickups have the traditional pole spacing.…

Fishman originally built its reputation by developing pickups that literally changed the way acoustic stringed instruments were heard and experienced in live performance situations. Now the company is pleased to introduce a new line of premium pickups for Mandolin and Spider-style Resophonic guitar at Winter NAMM. Specifically designed for two-piece Archtop and Flat Top style Mandolins…

 Application Ultra high output humbucker built for aggressive playing styles. Recommended for punk, garage, thrash, metal and other heavy rock styles. Description Designed for the heaviest tones a passive pickup can produce. The combination of three ceramic magnets, over-wound coils and twelve black oxide cap screws make the Invader an electrifying force of energy. The wide…

Application Ultra high output humbucker built for aggressive playing styles. Recommended for punk, garage, thrash, metal and other heavy rock styles. Description Designed for the heaviest tones a passive pickup can produce. The combination of three ceramic magnets, over-wound coils and twelve black oxide cap screws make the Invader an electrifying force of energy. The wide…

Application Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock. Description  Late-‘50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the ’59…

Application Classic moderate output humbucker. Especially popular in neck position. Don’t let the name fool you; it’s not only great for jazz, but also country, blues, funk, classic rock and heavy rock. Description  Provides an articulate and clear tone. Great for fast runs. The brighter tone has slightly less output and is a good match with most…

Application Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock. Description  Late-‘50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the ’59…

Application The archetype hot-rodded humbucker for over 30 years. Great for everything from heavy blues to heavy metal. Description  The world’s most popular humbucker. Provides slammin’ output while retaining singing highs, aggressive harmonics, and just the right blend of sustain and distortion. Goes from sweet warm tones to raw rock ‘n’ roll. Compared to the SH-14 Custom…

"I've always liked pickups on a Duo-Sonic® because of their clarity and smooth tone. The neck pickups are wound "top going" with a North magnetic polarity. The bridge pickups are wound "top coming" with a South magnetic polarity. When used in combination with each other, the two will be hum-canceling. The pole pieces are flush with the top and…

"I've always liked pickups on a Duo-Sonic® because of their clarity and smooth tone. The neck pickups are wound "top going" with a North magnetic polarity. The bridge pickups are wound "top coming" with a South magnetic polarity. When used in combination with each other, the two will be hum-canceling. The pole pieces are flush with the top and…

"I remember seeing Stevie Winwood play a Firebird® at a concert back in Cincinnati and it sounded amazing. It was kind of like a cross between a single coil and a humbucker. This pickup is similar to the mini-humbucker, but without the adjustable pole pieces." - Seymour Duncan
Features: width: 1.086 length: 2.577…

"I remember seeing Stevie Winwood play a Firebird® at a concert back in Cincinnati and it sounded amazing. It was kind of like a cross between a single coil and a humbucker. This pickup is similar to the mini-humbucker, but without the adjustable pole pieces." - Seymour Duncan
Features: width: 1.086 length: 2.577 …

"I saw my first Mustang guitar on a ‘60s TV show called Shindig and a guitarist by the name of Jerry Cole doing solos for many guest artists. Soon after that, I had my band members drive me to 8th Street Music in Philadelphia to buy my first Mustang. The ‘60s Mustang replica pickups feature the same look and…

"I always liked this pickup. I’ll never forget a guy named Glenn Schwartz who played in the early James Gang and Pacific Gas & Electric. He had an old Epiphone® Sheraton™ fitted with mini-humbuckers that got such a huge tone. With this pickup, I set out to capture that same tone. This pickup fits into the P-90 soapbar cover-style mounting…