The band pass filters provide 12dB cut and boost at 15 ISO centre frequencies from 25Hz to 16kHz. The filters are designed around precision minimum phase active RC networks to deliver superior dynamic range and signal to noise ratio. The High Pass Filter uses 4th order bi-quadratic topology to produce a 24dB per octave slope of exceptional stability. The EQ215S…

The band pass filters are based around precision minimum phase active RC networks to deliver superior dynamic range and signal to noise performance. An optional Inductor board may be specified for the top eight frequencies (4kHz-20kHz) to further improve noise and phase linearity. Long throw faders provide maximum sensitivity and control of 12dB cut and boost at 31 ISO centre…

The EQ231-GSP is a highly versatile combination of dual 31 band 1/3 Octave Graphic Equaliser, LF and HF variable frequency Shelving Equaliser, variable High and Low Pass filters and Limiter-Noise Gate. The band pass filters are based around precision minimum phase active RC networks to deliver superior dynamic range and signal to noise performance. An optional Inductor board may be…

The EQ231S is a dual 31 band 1/3 Octave Graphic Equaliser featuring input Gain control and switchable Low Cut filter. A unique feature of the EQ231S is a fader for compensating for Adiabatic Absorption Compensation (AAC control). The AAC control allows the engineer to compensate with one fader for variations in high frequency response caused by the build up of…

The EQ3B is a three-band fully parametric single channel analog EQ with smooth highs and solid lows. Perfect for carving out unwanted frequencies or musically boosting frequencies that need to be empasized. It is a perfect compact EQ solution to customize and taylor your sound. The EQ3B features an 80Hz roll-off (to eliminate room rumble and increase clarity), +/-12 dB…

Each band offers variable frequency and 15dB cut and boost. Additional control is derived from a variable Q (bandwidth) control on each band. Each channel is also equipped with a high pass filter switch to remove subsonics and a Bypass switch. Features Overlapping frequency bands allow the EQX2 to be configured as a mono 6 band parametric EQ Clip…

A two channel 15 band graphic, 1u, covering the range from 25Hz to 16KHz. There are 'signal present' led's on both channels, all faders have a centre-click position, input and output connectors are on balanced XLR's, and a true hardwire bypass switch allows comparison of flat and equalised signals. Specifications Centre Freq: 25,40,63,100,160,250,400, 630,1,1.6,2.5,4,6.3,10,16 KHz ±12dB Freq.…

With an EQ heritage that has produced countless industry standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-15 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two…

With an EQ heritage that has produced countless industry-standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx® legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-31 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two…

For your critical midrange equalization needs, take a look at the Midrange Equalizer ME 1B, which sports five low frequency peaks (0.2, 0.3, 0.5, 0.7 and 1kHz) and eleven mid frequency dips (from 0.2 to 7kHz) plus five high frequency peaks (1.5, 2, 3, 4 and 5kHz) and output noise that's below -80 dBm. The filter section of the…

If you record music or voice on a Digital Audio Workstation, you are no doubt aware of the limitations of many DSP plug-in equalizers - they just don't sound right. So rather than spend money on expensive software for somewhat better performance, one could consider the use of an out board analog equalizer - and that's exactly where the…

The human voice is one of the most diverse signals ever encountered by engineers because it contains such large variations in level and harmonic structure. Getting the desired vocal sound can sometimes prove difficult. Setting the E.Q. to give the vocal sufficient 'definition' and 'cut' in the mix can cause large sibilant peaks which often lead to severe distortion. The…

EQ is available everywhere. EQ is on everything we buy in pro audio. EQ is perhaps the most common audio tool in the market. EQ is used in every aspect of the recording process; and any studio engineer has his/her favorites.. Ted Fletcher is not new to EQ. From his console designing days, he has produced many designs, and has…

The TUBE-TECH PE 1C Program Equalizer contains a low frequency boost and attenuation section (shelving), and a high frequency boost section (peaking). The high frequency section has variable bandwidth as well as attenuation (shelving). The filter section is of the the passive type followed by a tube based push-pull amplifier to restore the gain. Input and output are balanced as…