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Yamaha MG82CX Analogue Mixer with free carry bag

Dolphin id:
65507
Product SKU:
MG82CX-bag-bundle

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The MG82CX is an ideal mixer for basic music production or live sound applications that require high sound quality from a relatively small number of input sources. The MG82CX is remarkably compact and lightweight, but no compromises have been made in sound quality. It even has built-in channel compressors that, although easy to operate, can significantly enhance the quality of your mixes.

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The MG82CX is an  ideal mixer for basic music production or live sound applications that require high sound quality from a relatively small number of input sources. The MG82CX is remarkably compact and lightweight, but no compromises have been made in sound quality. It even has built-in channel compressors that, although easy to operate, can significantly enhance the quality of your mixes. An optional adaptor allows this mixer to be mounted on a microphone stand for easy access and convenient positioning on stage. The MG82CX additionally features top-quality SPX digital effects built in, so you won't need any extra equipment for many applications.

Small but Sophisticated

Many real-world mixing applications only involve a few channels, so a small mixer is the obvious choice. But no matter how simple the setup, you'll always want first-rate audio quality and processing capability. The MG82CX and MG102C are the ideal choice for small music production or live sound applications, offering sonic quality that will satisfy the most critical listener, surprising flexibility and ease-of-use, and some advanced features you normally wouldn't find in this type of compact mixer. So whether you need a compact main mixer, or a secondary utility mixer for a larger application, don't overlook these performance-packed models.

Input Section

Flexible 8 or 10 Input Channel Configurations

The MG82CX has a total of 8 input channels comprised of two mono microphone/line channels and three stereo line channels. The MG102C has an addition stereo channel for a total of 10 input channels. On both models two of the stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.

Comprehensive, Easy-access Connector Panel

Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high-quality Neutrik™ balanced XLR connectors on both mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channel on the MG82CX and the remaining two stereo channels on the MG102C provide phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Four High-performance Microphone Preamplifiers with Switchable Phantom Power

Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high quality condenser microphones. A single switch turns phantom power on or off for all four channels.

Built-in Channel Compressors

This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the MG82CX and MG102C you have Yamaha's innovative one-knob compression feature on mono input channels 1 and 2. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-band Channel EQ and High-pass Filter

Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on, and you reap the benefits in the MG-series mixers. Channels 1, 2, 3/4, and 5/6 feature full 3-band equalizers with LOW, MID, and HIGH controls, while channel 7/8 on the MG82CX and channels 7/8 and 9/10 have 2-band EQ for smooth equalization of stereo sources.

Master Section

Effect/Aux Sends

The MG82CX has EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack. The MG102C has AUX send controls on all channels in place of the MG82CX EFFECT send controls, and these adjust the level of the signal sent from the corresponding channel to the AUX SEND jack that can be used to feed external effects or a monitor system. A RETURN control in the master section of both models adjusts the level of the signal returned from external processors via the RETURN jacks.

Stereo, Control Room, Monitor, and Headphone Outputs

Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. They may be compact, but these mixers offer plenty of connectivity for a wide range of applications.

Bright Meters for Visual Level Monitoring

Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.

CONVENIENCE AND OPERABILITY

Lightweight, Portable Design

The MG82CX and MG102C weigh only 1.6 and 1.5 kilograms, respectively. That's small enough to pop into your briefcase or shoulder bag and easily take with you anywhere. But the performance you'll get at the studio, club, outdoors, or anywhere you choose to use these fine mixers is far from lightweight.

Optional Mic Stand Mount

Both of these compact models can be mounted on a microphone stand for optimal positioning and easy access using the optional BMS-10A Mic Stand Adaptor. This can be particularly handy when using the mixer as sub-mixer for drums or as a cue box in recording situations.

Easy Operation

All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

MG82CX Built-in SPX Effects

There's an astonishing amount of SPX signal processing power packed into the MG82CX's diminutive chassis. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on/off switching.

Specifications

Electrical Characteristics

 

 

 

MIN

TYP

MAX

UNIT

Frequency Response

ST OUT

GAIN: min (CH 1-2, CH 3/4-5/6) 20Hz-20kHz, refer to the nominal output level @1kHz

-3.0

 

1.0

dB

AUX SEND (EFFECT SEND*)

-3.0

 

1.0

MONITOR OUT, REC OUT

-3.0

 

1.0

Total Harmonic Distortion(THD+N)

ST OUT

+14dBu, 20Hz-20kHz, Input Gain control at minimum

 

 

0.1

%

Hum and Noise

Hum and Noise are measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.

input: CH INPUT 1-2 MIC

EIN (Equivalent Input Noise): Rs=150Ω, GAIN:max (CH1,2)

 

 

-128

dBu

ST OUT

ST MASTER CONTROL at nominal level
and all Ch level controls at minimum.

 

 

-87

dBu

AUX SEND (EFFECT SEND*)

All Ch AUX controls at minimum

 

 

-85

dBu

ST OUT

ST Master Control and one CH level control at nominal level (CH1,2)

 

 

-64

dBu

ST OUT

Residual Output Noise

 

 

-100

dBu

Crosstalk (1kHz)

Adjacent Input

CH 1-2, 1kHz

 

 

-70

dB

Input to Output

STEREO L/R, CH 1, 2, PAN: Hard left or right, 1kHz

 

 

-70

dB

Maximum Voltage Gain (1kHz)

All VR are MAX when measured. PAN/BAL: panned hard left or hard right

Rs=150Ω,
INPUT GAIN: max

MIC to CH INSERT OUT

 

60

 

dB

MIC to ST OUT

 

76

 

dB

MIC to REC OUT

 

58.2

 

dB

MIC to MONITOR OUT

 

92

 

dB

MIC to PHONES OUT

 

81

 

dB

MIC to AUX SEND (EFFECT SEND*)

 

76

 

dB

LINE to ST OUT

 

50

 

dB

LINE to AUX SEND (EFFECT SEND*)

 

47

 

dB

ST CH 7/8- (9/10**) to ST OUT

 

26

 

dB

Rs=150Ω

RETURN to ST OUT

 

12

 

dB

Rs=600Ω

2TR IN to ST OUT

 

23.8

 

dB

Phantom Voltage

MIC

 

 

48

 

V

Input HPF

 

CH 1-2 and CH 3/4-5/6, 80Hz, 12dB/oct

Input Equalization

Turn over/ roll-off frequency of shelving: 3dB blow maximum variable level, +15,-15 dB maximum

CH 1-2 and CH 3/4-5/6

HIGH: 10kHz: shelving

MID: 2.5kHz: peaking

LOW: 100Hz: shelving

CH 7/8-(9/10**)

HIGH: 10kHz: shelving

LOW: 100Hz: shelving

Internal Digital Effect*

 

16 prgrams, PARAMETER cotrol , Foot Switch (effect on/off)

LED Level Meter

Pre MONITOR leve

2x7 point LED meter (PEAK,+6,+3,0,-5,-10,-20 dB)
PEAK lights if the signal comes within 3 dB of the clipping level.

Power Supply Adaptor

PA-10

AC 38VCT, 0.62A, Cable Length=3.6m

Power Consumption

 

21 W

Dimensions
(WxHxD)

 

256.6mm x 62.2mm x 302.5mm

Net Weight

 

1.6 kg (MG82CX), 1.5 kg (MG102C)

Option

 

Microphone Stand Adaptor (BMS-10A), Foot Switch* (FC5)

All VR are nominal when measured. (Nominal position is adjusted to a position that is 6dB lower than the MAX position) Output impedance of signal generator:150ohms
*: EFFECT exists only in MG82CX
**: ST CH IN 9/10 exists only in MG102C

Input specifications

Input Terminals

GAIN

Actual Load Impedance

For Use with Nominal

Input Level

Connector

Sensitivitiy *2

Nominal

Max. before clip

CH IN MIC (1-2)

-60dB

3kΩ

50-600Ω Mics

-72dBu(0.195mV)

-60dBu(0.775mV)

-40dBu(7.75mV)

XLR-3-31 type *3

-16dB

-28dBu (30.8mV)

-16dBu (123mV)

+4dBu (1.23V)

CH IN LINE (1-2)

-34dB

10kΩ

600Ω Lines

-46dBu (3.88mV)

-34dBu (15.5mV)

-14dBu (155mV)

Phone Jack (TRS) *4

+10dB

- 2dBu (0.615V)

+10dBu (2.45V)

+30dBu (24.5V)

ST CH MIC IN
(3/4, 5/6)

-60dB

3kΩ

50-600Ω Mics

-72dBu(0.195mV)

-60dBu(0.775mV)

-40dBu(7.75mV)

XLR-3-31 type *3

-16dB

-28dBu (30.8mV)

-16dBu (123mV)

-6dBu (389mV)

ST CH LINE IN
(3/4, 5/6)

-34dB

10kΩ

600Ω Lines

-46dBu (3.88mV)

-34dBu (15.5mV)

-14dBu (155mV)

Phone Jack *5

+10dB

- 2dBu (0.615V)

+10dBu (2.45V)

+30dBu (24.5V)

ST CH IN (7/8, 9/10 *7)

-

10kΩ

600Ω Lines

-22dBu (61.5mV)

-10dBu (245mV)

+10dBu (2.45V)

Phone Jack *5
RCA PiN Jack

CH INSERT IN (1-2)

-

10kΩ

600Ω Lines

-12dBu (195mV)

0dBu (0.775V)

+20dBu(7.75V)

Phone Jack (TRS) *6

RETURN [L,R]

-

10kΩ

600Ω Lines

- 8dBu (308mV)

+4dBu (1.23 V)

+24dBu(12.3V)

Phone Jack *5

2TR IN [L,R]

-

10kΩ

600Ω Lines

-22dBV (79.4mV)

-10dBV (0.316V)

+10dBV(3.16V)

RCA Pin Jack

*1 0dBu is referenced to 0.775Vrms. 0dBV is referenced to 1Vrms.
*2 Sensitivity is the lowest level that will produce an output of +4dB(1.23V), or the nominal output level when the unit is set to maximum level.(all faders and level controls are at maximum position.)
*3 XLR-3-31 type connectors are balanced.(1=GND, 2=HOT, 3=COLD)
*4 Phone jacks are balanced.(Tip=HOT, Ring=COLD, Sleeve=GND)
*5 Phone Jacks are unbalanced.
*6 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND)
*7 ST CH IN 9/10 exists only in MG102C

Output specifications

Output Terminals

Actual Source Impedance

For Use with Nominal

Output Level

Connector

Nominal

Max.Before Clip

STEREO OUT [L,R]

150Ω

10KΩ Lines

+4dBu (1.23 V)

+20dBu(7.75V)

Phone Jack *2

AUX SEND
(EFFECT SEND *4)

150Ω

10KΩ Lines

+4dBu (1.23 V)

+20dBu(7.75V)

Phone Jack *2

CH INSERT OUT (1-2)

75Ω

10KΩ Lines

0dBu (0.775V)

+20dBu(7.75V)

Phone Jack *3

REC OUT [L, R]

600Ω

10KΩ Lines

-10dBV (0.316V)

+10dBV(3.16V)

RCA Pin Jack

MONITOR OUT [L, R]

150Ω

10KΩ Lines

+4dBu (1.23 V)

+20dBu(7.75V)

Phone Jack *2

PHONES OUT

100Ω

40KΩ Lines

3mW

75mW

Stereo Phone Jack

 

*1 0dBu is referenced to 0.775Vrms. 0dBV is referenced to 1Vrms.
*2 Phone jacks are impedance balanced.(Tip=HOT,Ring=COLD,Sleeve=GND)
*3 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND)
*4 EFFECT SEND exists only in MG82CX

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