The MK 4 with its nickel-colored finish was developed for professional users in project studios, but is equally well suited for other recording environments and is tough enough for use on stage.
Sennheiser's MK 4 large-diaphragm studio condenser microphone is powerful but warm, and designed simply to achieve the ultimate in sound quality, rather than pointless technical extravagance.
The MK 4 with its nickel-colored finish was developed for professional users in project studios, but is equally well suited for other recording environments and is tough enough for use on stage. It is also a microphone that is affordable for home recordists and musicians. “In the development of the MK 4, we invested every euro in getting the best possible sound,” explained Product Manager Sebastian Schmitz, “and we focused on the key elements of a good studio microphone to ensure that we can offer the MK 4 to our customers at an attractive price.” The finest sound structures are well resolved, and sound coming from the sides is picked up without coloration and so does not change the overall sound quality. The microphone has a very harmonious presence; it has vivid mids and is also very detailed in the bass range. At the same time, typical cardioid cancellation is relatively frequency-independent.
Sturdy large-diaphragm model
The MK 4 has a large 1-inch diaphragm precisely spattered with 24-carat gold. The sturdy metal housing and the elastically mounted capsule make the microphone tough enough for even the most energetic recording situations. The excellent suppression of handling noise offered by the internal capsule mount can be even further improved by the use of an elastic suspension, which is available as an accessory. The open front of the suspension mount enables the MK 4 to be positioned close to the sound source. The microphone has a maximum sound pressure level of 140 dB, and its self-noise of 10 dB(A) is extremely low. “The MK 4 is highly versatile for vocals, acoustic guitars and grand pianos as well as for strings and wind instruments,” Sebastian Schmitz explained. “What is more, in numerous field trials it has proven to be an excellent microphone with guitar amplifiers, drums and percussion. To sum up: it is an unpretentious microphone with outstanding sound.”
The MK 4 will be available after NAMM and comes complete with a microphone clip and a protective pouch. Optional accessories include an elastic suspension, a foam windshield and a popshield.
||externally polarized condenser microphone
||25.4 mm (1”)
||20 – 20,000 Hz
|Maximum sound pressure level:
|Equivalent noise level:
||10 dB(A) / 20 dB(CCIR)
||48 V phantom power (P48)
||57 mm (maximum)
||6.3 in. (160 mm)
||17.1 oz. (485 g)