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Korg D888 Digital Recording Studio

Dolphin id:
8692
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D888

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A new and unique model has joined Korg's D-series of digital recorders - acclaimed for their high audio quality and easy operation. The user-friendly presentation of the D888 is familiar to anyone who has ever sat in front of a traditional analog mixer. Yet lurking inside this eight input/eight output mixer is a complete eight track digital recorder.

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Eight Inputs, Eight Outputs, Eight tracks of Recording.

A new and unique model has joined Korg's D-series of digital recorders - acclaimed for their high audio quality and easy operation. The user-friendly presentation of the D888 is familiar to anyone who has ever sat in front of a traditional analog mixer. Yet lurking inside this eight input/eight output mixer is a complete eight track digital recorder.


New recording frontiers

The new D888 Digital Recording Studio goes where no digital recorder has gone before. Its intuitive, real-time design assures immediate results. At home, the D888 provides an intuitive mixer layout that allows your sound modules and instruments to stay connected to the mixer inputs so you can start recording whenever the mood strikes you without having to change any connections.

Lightweight and portable, the D888 is also perfect as a live or location “capture” recorder for recording band rehearsals and gigs and other applications. In the field, the versatile input and output sections allow the D888 to record on location without interfering with the P.A. system’s house mix. The output section is also ideal for feeding into a cue mixer, a larger recording system, or other audio applications. With eight-track simultaneous recording you can capture the performance with enough separation to allow overdubs, corrections, and other production steps at a later date.

Back in the home studio, tracks can easily be transferred between the D888 and a computer-based editing/recording environment thanks to native WAV format recording. A high speed USB 2.0 connection moves the data quickly, with the entire hard drive showing up as a mounted disk on your desktop. The MIDI output transmits MIDI Time Code so other equipment can sync up to the D888.


Mixer masquerade

The D888 offers an interface like no other digital recorder. As with a traditional analog mixer, each channel has its own channel strip, complete with trim, 3-band EQ, effect send, and pan controls – each element offering its own dedicated real-time knob. This allows a quick check of the current mixer settings by simply glancing at the knobs.

The Mic inputs provide both XLR and TRS balanced inputs, and phantom power is available. This thoughtful arrangement allows a wide variety of sources to be connected for additional flexibility. High-quality mic preamps are teamed with professional A/D converters for excellent sound.

Throughout, the mixer uses 40-bit, 44.1 kHz processing for a clean audio signal that surpasses CD quality. The eight individual output arrangement is incredibly versatile, allowing the D888 to be the perfect choice in many audio situations. In the Individual Mode, each output is directly tied to a particular channel, perfect for “in-line” live and studio connections. With the Individual Mode off, outputs 1 & 2 become the Monitor outputs, and outputs 3 & 4 serve as the Master outputs. A digital S/P DIF output is also provided. Each of the two headphone outputs is thoughtfully equipped with its own level control.


“No conversion” WAV format recording

All eight tracks can be recorded or played back simultaneously. Eight virtual tracks exist for each track, bringing the total track count to 64. You can bounce tracks together digitally – with no fidelity loss – to free up more tracks. The entire mix can be bounced down to the stereo Master Track. In fact, you can make eight final mixes and then choose the best one. All tracks are saved as WAV format files, for easy sharing with other recording systems.

Non-destructive editing tools point to the power of the recorder section, allowing you to copy entire sections of the song, swap tracks, erase, etc. Undo and Redo commands allow you to hear both the “before” and “after” versions of any edit before you commit to any changes. In addition to regular recording, punch in and punch out recording allows precise overdubbing and fixing any sour notes. Each song allows you to store four edit locate points, as well as one hundred mark points, for quick navigation to various locations in the song.

The internal 40GB hard drive allows a maximum total recording time of over 120 hours.* For ease of use, the recorder section uses traditional transport controls. A backlit LCD provides metering and other pertinent information.


Effects at your fingertips

Eleven different effect types are provided for the Master effect, and are instantly selectable from the front panel. Each channel has its own send knob, and a global return knob allows you to set just the right mix. In keeping with the D888’s real-time approach, effect parameters are also editable from a dedicated front panel knob. And of course, the effect settings are memorized with each song.

An internal metronome is provided. The metronome can be sent from Master and Monitor outputs, or just the Monitor outs alone, so musicians can follow a click-track during recording or performance.

* Maximum single recording time is six hours.


Specifications:

Recorder Section:


Number of Tracks:

  • 64 + master track* (including virtual tracks)
  • 8 track simultaneous recording/playback

*Saved as stereo WAV files, number of tracks depends on capacity of the hard drive.

 
Recording Format:

  • 44.1 kHz, 16-bit uncompressed

 
Recording Time:

  • Max. 124 hours (based on 40 GB hard disk drive, maximum single recording time is six hours)

 
Number of Songs:

  • Max. 200 songs

 
Mark Points:

  • 100 points per a song

 
USB Function:

  • Supports USB 2.0 - The whole internal hard drive is available to mount to your computer as a FAT32 USB external drive

Track Edit Functions:

  • Copy (over-write)
  • Erase
  • Swap
  • Assign wav file to track


Song Edit Functions:

  • Copy
  • Delete
  • Rename
  • Protect
  • Save Now
     

Metronome Function:

  • Tempo range: 40 ~ 240 BPM
  • 0, 2, 3, 4, 6, 8 beats

 
Mixer Section:

Structure:

  • 8 channel inputs (8 busses)
  • Monitor x 1
  • Master x 1
  • Send to internal effect x 1

 
Signal Processing:

  • 40-bit, 44.1 kHz

 
Effect Section:

Structure:

  • Master x 1

 
Signal Processing:

  • 40-bit, 44.1 kHz

 
Number of Programs:

  • 11

 
General:

Display:

  • 160 x 104 dots LCD with backlight

 
Power Supply:

  • AC

 
Current Consumption:

  • 32 W

 
Dimensions:

  • 14.74” (W) x 13.03” (D) x 4.33” (H)
  • 375 (W) x 331 (D) x 110 (H) mm

 
Weight:

  • 9.70 lbs. / 4.4 kg

 
Principal Specifications:

  • Frequency Response: 10 Hz ~ 20 kHz +1 dB/ -2 dB @ +4 dBu, 10 k§Ù load
  • S/N: 96 dB (typical) @ IHF-A
  • THD+N: 0.03 % (typical) 20 Hz ~ 20kHz @ +16 dBu, 10 k§Ù load
  • A/D Conversion: 24-bit, 64 times over-sampling
  • D/A Conversion: 24-bit, 128 times over-sampling
  • Recording/Playback bit rate: 16-bit
  • Analog / Digital Input and Output Specifications:
  • When output assign is INDIVIDUAL
      

INPUT 1-8:

  • Connectors: XLR-3-31 type (+48 V phantom power, SW), 1/4” TRS phone jacks (balanced)
  • Input Impedance: 4 k§Ù (XLR-3-31), 10 k§Ù (1/4” TRS phone)
  • Nominal Level: -60 dBu ~ +4 dBu @ TRIM = max. ~ min.
  • Maximum Level: -48 dBu ~ +16 dBu @ TRIM = max. ~ min.
  • Source Impedance: 600 §Ù

MONITOR OUTPUT L/R [CH1, 2]:

  • Connectors: 1/4” phone jacks (unbalanced)
  • Output Impedance: 150 §Ù
  • Nominal Level: -10 dB
  • Maximum Level: +2 dBu
  • Load Impedance: greater than 10 k§Ù
      
     

MASTER OUTPUT L/R [CH3, 4]:

  • Connectors: 1/4” phone jacks (unbalanced)
  • Output Impedance: 150 Ohm
  • Nominal Level: -10 dBu
  • Maximum Level: +2 dBu
  • Load Impedance: greater than 10 kOhm
      

CH5-8 [CH5-8]:

  • Connectors: 1/4” phone jacks (unbalanced)
  • Output Impedance: 150 Ohm
  • Nominal Level: -10 dBu
  • Maximum Level: +2 dBu
  • Load Impedance: greater than 10 kOhm
      

PHONES:

  • Connectors: two 1/4” stereo phone jacks
  • Output Impedance: 100 Ohm
  • Maximum Level: 50 mW + 50 mW @ 32 Ohm

S/P DIF OUTPUT:

  • Connector: optical
  • Format: 24-bit S/P DIF (IEC60958)
      
     

USB:

  • Connector: type B
  • Format: USB2.0 High-Speed Device, USB mass-storage class
     

Supported OS:

  • Windows Me/2000 or later, Mac OS 9.0.4 or later
    (If you wish to use the D888 with a PC running Windows 98, please contact your local Korg distributor.)
      
     

FOOT SW:

  • Connector: 1/4” phone jack (use separately sold PS-1)

 
Included Items:

  • AC cord

 
Options:

  • PS-1 Pedal Switch
Image: Korg D888 Digital Recording Studio

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Korg D888 Digital Recording Studio Reviews

8/10

Korg D888

— Stephen Gard October 10, 2009

I\'ve owned my Korg D888 for over a year now, and used it on several occasions. I usually record live music: orchestral, choral, chamber, acoustic, but last year I was asked to record a friend\'s terribly loud blues trio, too. So the unit has had a real workout!

I\'m very pleased with it: up until the Day of the Korg, I used a four channel mixer and a DAT: suddenly, 8 channels and the chance to remix it all later with Pro Tools are mine. Looxury!

The Korg does everything it promises and does it well; read the specs and be impressed. Six hours of recording time is heaps for my purposes. I don\'t use the on-board FX, but I have fiddled with these to see what they do, and they are quite satisfactory. I haven\'t tried to edit in the machine, either, but a quick squiz at the book of words gave me no qualms. The manual is in English-English, uninflected by other syntaxes. Nice. I had the unit running to my satisfaction in less than 15 minutes. As ever, read the flippin\' manual; that\'s what it\'s for - flippin\'.

The Korg D888\'s operation is quite straightforward, and speaking as one who shuns not only bells, but also whistles, its simplicity amounts to elegance.

Two quibbles. The first; it has a terrifying habit of taking a terribly long time to write the recorded material to its internal hard disc drive, once one hits the STOP button. If you do this at interval, midway through a one hour concert, it means that you may miss the opening number of the second half, as I did once, while the Korg was busy number-crunching. What is more alarming is that this behaviour in problematical (i.e. unpredictable); on other occasions after a longish session, the D888 wrote the files in fifteen SECONDS. If I could spot a pattern (e.g. long session = long file-write time follows) I\'d feel calmer, but as yet there doesn\'t seem to be one. Perhaps it\'s still young, and formatting yet uncharted areas of its HDD?

Second quibble, there is very little headroom in the channel trimpots. They must be set at 8.9 or 9 out of 10 to produce a decent level from even my most expensive mics. (Neumann KM183s) and so I\'ve had to add a preamp to the input chain: a nuisance live - yet more gear to lug and set up and test...

When I\'m not working live, I use the Korg D888 to record final mixdowns out of my Pro Tools set-up: all eight channels of the DIGI003 can be output at once. Cool bananas.

Lasty micro-quibble: connect the Korg to your PC (a Mac man, me) and its icon does not always immediately appear on your desktop, which can cause cardiac arrest. I fixed this by using the Mac\'s System Profiler, and it soon found the Korg.

Still, every piece of gear I\'ve ever owned has its quirks, and the Korg as as quirk-free as one can hope. I\'d buy another at once if mine ever was deducted from my studio by some tea-leaf, or I dropped it, or spilled a chalice of burgundy into its vitals.

Korg Blimey, it\'s a little ripper, as we say in Oz.

9/10

Very, very good

August 21, 2008

It is early days for me with this machine, but so far it has behaved flawlessly.

Recording eight tracks of audio simultaneously during a band rehearsal was pretty straightforward even after a fairly brief canter through the manual. The menu system sometimes feels a little fiddly (hence 9 out of 10), but getting used to the quirks didn\'t take too long at all.

But uploading the audio onto the Mac to edit and mix in Logic Express was just a sheer pleasure. Plug in a USB cable, copy the directory across, drag and drop into Logic Express and you are ready to start mixing -- eight tracks of audio right there, waiting to be edited.

Very nice feature set, copious hard drive, pretty straightforward and is smart enough to not try to replicate the feature set of DAW software and thereby make the machine way too complicated. I like this a lot.

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