Korg D888 Digital Recording Studio videos
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Korg D888
I\'ve owned my Korg D888 for over a year now, and used it on several occasions. I usually record live music: orchestral, choral, chamber, acoustic, but last year I was asked to record a friend\'s terribly loud blues trio, too. So the unit has had a real workout!
I\'m very pleased with it: up until the Day of the Korg, I used a four channel mixer and a DAT: suddenly, 8 channels and the chance to remix it all later with Pro Tools are mine. Looxury!
The Korg does everything it promises and does it well; read the specs and be impressed. Six hours of recording time is heaps for my purposes. I don\'t use the on-board FX, but I have fiddled with these to see what they do, and they are quite satisfactory. I haven\'t tried to edit in the machine, either, but a quick squiz at the book of words gave me no qualms. The manual is in English-English, uninflected by other syntaxes. Nice. I had the unit running to my satisfaction in less than 15 minutes. As ever, read the flippin\' manual; that\'s what it\'s for - flippin\'.
The Korg D888\'s operation is quite straightforward, and speaking as one who shuns not only bells, but also whistles, its simplicity amounts to elegance.
Two quibbles. The first; it has a terrifying habit of taking a terribly long time to write the recorded material to its internal hard disc drive, once one hits the STOP button. If you do this at interval, midway through a one hour concert, it means that you may miss the opening number of the second half, as I did once, while the Korg was busy number-crunching. What is more alarming is that this behaviour in problematical (i.e. unpredictable); on other occasions after a longish session, the D888 wrote the files in fifteen SECONDS. If I could spot a pattern (e.g. long session = long file-write time follows) I\'d feel calmer, but as yet there doesn\'t seem to be one. Perhaps it\'s still young, and formatting yet uncharted areas of its HDD?
Second quibble, there is very little headroom in the channel trimpots. They must be set at 8.9 or 9 out of 10 to produce a decent level from even my most expensive mics. (Neumann KM183s) and so I\'ve had to add a preamp to the input chain: a nuisance live - yet more gear to lug and set up and test...
When I\'m not working live, I use the Korg D888 to record final mixdowns out of my Pro Tools set-up: all eight channels of the DIGI003 can be output at once. Cool bananas.
Lasty micro-quibble: connect the Korg to your PC (a Mac man, me) and its icon does not always immediately appear on your desktop, which can cause cardiac arrest. I fixed this by using the Mac\'s System Profiler, and it soon found the Korg.
Still, every piece of gear I\'ve ever owned has its quirks, and the Korg as as quirk-free as one can hope. I\'d buy another at once if mine ever was deducted from my studio by some tea-leaf, or I dropped it, or spilled a chalice of burgundy into its vitals.
Korg Blimey, it\'s a little ripper, as we say in Oz.
Very, very good
It is early days for me with this machine, but so far it has behaved flawlessly.
Recording eight tracks of audio simultaneously during a band rehearsal was pretty straightforward even after a fairly brief canter through the manual. The menu system sometimes feels a little fiddly (hence 9 out of 10), but getting used to the quirks didn\'t take too long at all.
But uploading the audio onto the Mac to edit and mix in Logic Express was just a sheer pleasure. Plug in a USB cable, copy the directory across, drag and drop into Logic Express and you are ready to start mixing -- eight tracks of audio right there, waiting to be edited.
Very nice feature set, copious hard drive, pretty straightforward and is smart enough to not try to replicate the feature set of DAW software and thereby make the machine way too complicated. I like this a lot.
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