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Home » PA & Live Sound » Processors & FX » Feedback Reduction » Behringer Feedback Destroyer Pro FBQ2496

Behringer Feedback Destroyer Pro FBQ2496

Dolphin id:
6360
Product SKU:
FBQ2496

This product is currently not available for purchase.

Ultra-Fast 24-bit/96 kHz Feedback Suppressor/Parametric EQ

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The FBQ2496 is the fastest (>0.2 sec.) and the only 96 kHz Feedback Suppressor on the market. Using an ultra-fast feedback detection algorithm, it automatically and “intelligently” locates up to 20 feedback frequencies per channel and sets extremely narrow notch filters to “destroy” them, leaving the remainder of the signal virtually untouched. Easy does it: with the “Set-and-Forget” default setting plus the Panic button, your FEEDBACK DESTROYER can be up and running in no time! The auto mode continuously monitors the mix, resetting programmed filters automatically, while the manual mode allows individual setting of up to 40 fully parametric filters with frequency, bandwidth and gain adjustment. Open MIDI architecture means that future software updates and flexible communication with digital equipment are a no-brainer. With its various modes you can master just about any live sound situation or use it as a creative sound-shaping tool.

Features:

  •  Automatically and “intelligently” locates and destroys up to 20 frequencies per channel 
  • Ultra-fast feedback detection (>0.2 sec) due to proprietary FFT signal analysis 
  • Ultra-narrow notch-filters (up to 1/60th octave) for very effective feedback suppression, while keeping highest sonic quality
  • “Set-and-forget” default setting plus Panic button enable immediate and super-easy Feedback Destroyer performance 
  • Auto mode continuously monitors the mix, resetting programmed filters automatically 
  • Single-shot mode automatically detects and destroys feedback and locks the filter until you reset it manually 
  • Manual mode allows individual setting of up to 40 fully parametric filters with frequency, bandwidth and gain adjustment 
  • Ultra-high resolution 24-bit/96 kHz A/D and D/A converter powered by a 32-bit DSP for ultimate audio performance
  • Open MIDI architecture for future software updates and flexible communication with digital equipment 
  • Balanced inputs and servo-balanced outputs with gold-plated XLR and ¼' TRS connectors
  • Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy savings 
  • High-quality components and exceptionally rugged construction ensure long life 
  • Conceived and designed by BEHRINGER Germany
Image: Behringer Feedback Destroyer Pro FBQ2496

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Behringer Feedback Destroyer Pro FBQ2496 Reviews

7/10

FBQ 2496

— Gary January 24, 2009

I use this unit in line with my active stage monitors, it does exactly what it says on the tin!
I tend not to make too many adjustmens so most of the time it\'s running in auto.I would like to see more of a display when it comes to what filters are triggering etc in the auto setting, but I guess as long as it\'s doing the job you require it to do, this isn\'t strictly necessary.
Overall,good value for money!

9/10

Behringer FBQ2496

— September 3, 2008

This box just does exactly what it says on the lid. I now use three of these units for voice channels in a church, and without any filtering the mics are close to unuseable because of the buildings reverberation. How satisfying it is to edge the gain up and hear the feedback appear and then dissapear as it is notched out by the FBQ2496. Magic - or it would be if we believed in such things!

Only giving 9 out of 10 because in an ideal world it would have a gain control on the input side.

Highly recommended.

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9/10

Feedback Destroyer

— Steven Reynolds September 24, 2007

I think this uses the black arts to achieve what it does! Imagine the scene; a newly refurbished pub, smallish room, no carpets and it echoes. Now imagine a blues/jug band and a 1000w amp. Imagine the washboard player with a mic in front of the washboard. Imagine him moving (with mic) in front of the PA speaker. Imagine the howl of feedback…..well, there wasn’t any. There was a brief blip and then nothing. The PA was running at about 2/3rds max at the end of the evening with no howls or apparent deterioration in sound. If we can manage to set up this badly and the feedback destroyer handle it this well, then I think it’s great.
I won’t give it 10/10 as the build quality isn’t super fantastic, but it will last a long time if looked after. And one of the jack outputs (our amp is unbalanced) doesn’t click into place as well as I would like, but a bit of tape (always in the gig bag) ensures it will stay in place. And when we get a new amp with balanced inputs, we’ll use the XLR outputs so that’ll be OK
I haven’t used all the facilities, I just let it get on with it and pick out and destroy feedback as t finds it.
I’d recommend this to anyone.
www.dirtybizness.co.uk

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