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Z-Vex BOX OF ROCK Vexter

Dolphin id:
16878
Product SKU:
BOXOFROCKVEXTER

This product is currently not available for purchase.

The Box of Rock is Z.Vex Effect's first "distortion" pedal, highly specialized to simulate the "everything on 10" sound of a classic Marshall ® JTM45 non-master-volume amplifier.

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The Box of Rock is Z.Vex Effect's first "distortion" pedal, highly specialized to simulate the "everything on 10" sound of a classic Marshall ® JTM45 non-master-volume amplifier. You may use the Box of Rock effectively with many different amplifiers, but to get the sound Z-Vex  heard when they designed it, try it through a Marshall at least once.

You may use your guitar's volume control to adjust for the exact amount of distortion you need, all the way down to very clean and clear with most drive settings. You will notice the words "distortron engine" on the Vexter version of this pedal (no, that's not a misprint) on the pedal. This is what Z-Vex  named their distortion circuit... call them crazy.

The Box of Rock also contains an extremely high-headroom, unity-to-50X gain booster with nominal input impedance and low hiss. It is very similar to the SHO boost circuit, with refinements to make it sound more like a standard amp input and less glassy. The boost channel can be used alone or in conjunction with the "distortron engine" channel. The boost channel follows the distortion channel so that the distortion is able to hit your amp harder (at a higher volume) when both switches are engaged, for boosting solos and what-not. Look out when boosting what-not. 8^)

The Controls

  • Drive: Sets the amount of distortion. Start around 1:00 o'clock.
  • Tone: Adjust for treble content. Start around 2:00 o'clock.
  • Vol: Adjust for distortron engine volume level. Start around 9:00 o'clock.
  • Boost: Sets the boost level, which is engaged with the left stomp switch. Start around 11:00 o'clock.
    The Drive and Boost controls are based on Z-Vex original Super Hard-On gain control, so they may crackle when turned. This is perfectly normal.

Operation

Plug your guitar (or any effect’s output) into the right hand input jack. Plug the output into an amp or other effect’s input. Rock out. Careful with the Boost setting when using a high-powered amp with lots of headroom... you may be shocked at how loud it can get!

The best way to complete this pedal is to run it through a Marshall amplifier on a warm clean setting (try strapping the channels, setting the volumes below 3, and setting all other controls to 6 as a start point), which has the proper voicing to reveal the "rock" in the Box of Rock.

Battery Change

If the performance of your pedal seems diminished or the LEDs become very dim, it's time to change your battery. Remove the four screws on the bottom of the pedal and carefully remove and replace the old battery, putting it back exactly in the center of the pedal on edge so that it is gripped tightly by the lid when it is screwed back in place.

Specifications

Uses 1 9V battery (preferably alkaline, but the unit is shipped with a carbon-zinc battery.) The low current operation of this pedal's circuit will give you a long battery life. Current draw is approximately 3mA. A DC power jack (standard Boss configuration with center negative) is provided on the side of the pedal. Use a high- quality 9V adaptor for all high-gain effects!

DOWNLOADS

*Erik's notes on the audio demo:

"Every guitar you hear went through the Box Of Rock. All the rhythm tracks are vintage 1971? Marshall Super Lead (modded by Andy Wolf) through an old greenback Marshall 4X12, the various amounts of gain, from light clipping to crunch are settings, came from the pedal.

"The first solo was a Lectrolab R200B, it's a little class "A" Champ kind of thing, with a 6 inch Jensen. Volume and tone were cranked. The second solo was a "transitional" Silver Faced Fender Pro Reverb at about 3 1/2, bright switch on, treble at 7, bass on 3. The last solo was a Brown Fender Princeton. The amp was set at about 4 1/2, with the tone on about 5 1/2.

"Everything was a 57 up close. I used a multiband compressor to remove some "woof" from the 4X12 during mixdown, a touch of compression over the final mix, and that was it. The whole thing was a Don Grosh Strat with Lindy Fralin pickups, strung up with GHS 12's."

UK mainland standard delivery £5.99.
More details on UK deliveries.
More details on International deliveries.

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Z-Vex BOX OF ROCK Vexter Reviews

9/10

Z-Vex Box of Rock

— David Micklethwaite May 11, 2009

The Box of Rock, all you really hear about this is references to old marshall amps. It is indeed able to give you those sorts of sounds but theres plenty more its capable of.

Firstly the boost in very capable, not really colouring the tone at all and really a valuable addition. Dont expect to max the boost off though, your ears will be bleeding.

Thens theres the \"distortron\", its got plenty of balls. The main trick to getting the sound you want is adjusting your guitars volume to the pedal volume to the amps volume. It happily does blues through to hard rock and maybe some metal as well, and sounds natural.

Only complaint I could give is that it can be more bass heavy, but I like the depth of the sound it gives so I can\'t really complain. I just keep the tone around 3 o\'clock.

Played with a Gibson LP Standard through an Orange Tiny Terror head and 1x12 Orange Cab.

9/10

ZVEX Box Of Rock

— Mike Rap May 7, 2007

Plugging the Box Of Rock for the first time carried some mixed feelings. 'Here we go again' was one, as yet another promise of the perfect distortion pedal was to be tested, and probably found to be wanting. And 'Oh goody, I hope this is worth the cost' was another.

Fortunately the BOR lives up to the promise, although you may still argue that boutique pedals like this are overpriced - that's a matter of opinion and wallet depth. The ZVEX pedals are hand made, with quality components, are sturdily built, and, aesthetically at least, the design is pretty cool.

There is one tiny design flaw. The unit is a little small, what with there being two effect switches, and so it can be easy to hit both effects at once in the heat of Rock frenzy. And particularly clumsy, large footed users might even disturb the knob settings with their over sized feet.

But this is small niggle and might have been annoying if the sound that this little box produces wasn't so monstrous. The gain, even on full, isn't that high - but it's high enough. If death metal is your thing, look elsewhere. But if classic rock guitar goodness is your thing, then you've come to the right place. The roar that the BOR delivers is BIG. It sounds very valve like, although one caveat is that really you need a decent valve amp to get this little wonder really cooking. I tried it on a practice amp and it didn't have the same effect - this is not one of those pedals that claims to turn your cheapo tranny amp into a 100watt Marshall beast.

So what's the point? Well, the designer, Mr Z Vex, created this pedal to sound like a cranked JTM45, and it does. So you can play quiet, and still be loud. But also the tones available from the pedal means it can be used as a distortion / overdrive in many other situations. It reacts nicely to guitar volume pot changes, and lower gain settings offer a nice bluesy sound. The tone control also provides a nice range from dark to biting.

Additionally, that second effect I mentioned is a simple gain boost effect, which can add more gain, or more volume, and can be simply used on its own as a boost, or with the distortion for highlighting solos etc. Although I did feel a slight mid range boost along with the volume increase, but this is no bad thing necessarily.

Altogether a fine pedal, maybe would have been 10 if it wasn't for the slightly cramped switch / knob placement.

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