Korg Radias Rack Analogue Modelling Synth and Vocoder

Dolphin ID: 12622

Manufacturer SKU: Radias-R
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Web Price: £ 789.00 inc VAT

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KORG RADIAS RACK SYNTHESIZER

Korg's Radias Rack synthsizer and vocoder is based on Korg's proprietary MMT (Multi Modeling Technology) engine. This 24-voice synthesizer offers a variety of synthesis algorithms together with multiple effects, new comb filter and wave shaping features, modulation sequencing, as well as new formant-motion vocoding, and borrows much modelling techniques from the Korg Oasys.

Each of the 256 onboard Programs is comprised of up to four timbres, which can be split, layered or operate independently on separate MIDI channels, allowing the Radias to function as a powerful performance system or multitimbral sound generator for in the studio. The Radium provides two oscillators per timbre to deliver modelled analogue waveforms, format waveforms, noise, ring modulation, sync, and PCM waveforms. 32 drum kits are included, each with 16 different drum or percussion instruments assigned to seperate keys. Each instrument uses the synth parameters, like filter, EG, LFO, and virtual patches for even more variety. Korg includs template data for 128 synth timbres, 128 insert effects, and 128 master effects.

Vocoding, using your voice to modulate a second sound, is easy with the included headset microphone and pushing a single button. The Radias Vocoder operates over 16 bands with individual level and pan controls on each band. Formant Motion function can record up to 7.5 seconds of incoming formant information (spoken words, scat singing, etc.) so that you can re-create vocoder effects even without a microphone present.

The Radius effects section has two inset effects and a 2-band EQ per timbre, as well as master effect for the complete program. 33 effects are provided including delays, chorus, reverbs, compressors, arpeggiator, and talking modulator.


SPECIFICATIONS

Tone Generator:

  • MMT (Multiple Modeling Technology) synthesis.
  • Maximum Polyphony: 24 voices.
  • Varies depending on the parameters that make up the sound.

Synth:

  • 2 oscillators + noise generator:
  • Oscillator 1: 9 basic waveforms, 4 types of modulation, PCM (64 synth sounds, 128 drum sounds).
  • Oscillator 2: 4 basic waveforms, 2 types of modulation.
  • 2 filters (w/serial, parallel, individual routings):
  • Filter 1 (variable multi-mode) -24 dB Low Pass, -12 dB Low Pass, High Pass, Band Pass, Thru.
  • Filter 2 (switchable multi-mode) Low Pass, High Pass, Band Pass, Comb
  • 1 driver or wave shaper (11 types).
  • 3 EGs.
  • 2 LFOs.
  • 6 virtual patches.
  • 3 modulation sequences.

Vocoder:

  • 16-band vocoder.
  • variable level/pan for each channel
  • formant motion function (sixteen 7.5 sec. formant motion data sets can be recorded).
  • Formant shift function.
  • Formant hold function.

Envelope Follower:

  • A detected envelope can be used as a virtual patch source or effect control source, or to generate note-on/off (maximum 8-note polyphony).

Effect Section:

  • Number of Effects: 30 types.
  • Structure: 2-band EQ + 2 Insert effects per timbre (x4) + 1 Master effect.

Arpeggiator:

  • Arpeggio Type: 6 types (Up/Down/Alt1/Alt2/Random/Trigger).
  • Structure: Switchable on/off for each of 32 steps.

Step Sequencer:

  • Simultaneous polyphony: 8 notes.
  • Structure: Two 32-step sequencers (both can be linked for playback)
  • Three playback modes (OneShot/Loop/Step).
  • Step entry via keyboard or panel keys.

Programs:

  • Number of Programs: 256 (16 x 16 banks, including program/user area).
  • 128 Timbre Templates.
  • 128 Insert effect Templates.
  • 128 Master effect Templates.
  • Structure: Program = 4 timbres + 1 vocoder + 1 master effect + arpeggiator + 2 step sequencers
  • Timbre = 1 synth program or 1 drum kit + EQ + 2 insert effects.

Drums:

  • Number of Programs: 32 kits.
  • Structure: one Timbre = 1 drum kit, one drum kit = 16 synth programs
  • A drum kit can be assigned to one of the four timbres in a program.
  • Keyboard: 49 keys (velocity sensitive).
  • Controllers: Modulation wheel, pitch bend wheel.

Connections:

  • Audio Inputs:
  • AudioIn1: 1/4“ phone jack.
  • AudioIn2: 1/4“ phone jack and mini jack with Mic/Line SW.
  • Audio Outputs:
  • MAIN OUTPUT (Lch/MONO, Rch): 1/4“ phone jacks.
  • INDIV. OUTPUT (Lch, Rch): 1/4“ phone jacks.
  • PHONES OUT: 1/4“ stereo phone jack.
  • Control Inputs: Assignable Pedal, Assignable Switch, keyboard (FROM KYBD).
  • MIDI: In, Out, Thru.
  • USB: TYPE B connector.
  • Display: 128 x 64 pixel full-graphic LCD with backlight.
  • Power Supply: DC 9 V.


FEATURES

  • Two oscillators per timbre, which share the low-aliasing design of Korg's OASYS.
  • Modeled analogue, formant and Korg's classic DWGS waveforms, PCM playback, as well as ring modulation and sync.
  • Dual multimode filters, three envelopes, two LFOs, three modulation sequencers Six virtual patches (for freely connecting any of 11 modulation sources to any of 15 destinations).
  • 2-band EQ, Drive, 11 types of Wave Shaping.
  • Punch parameter emphasizes the attack portion of the sound.
  • Each Program contains an arpeggiator with six pattern types and two Step Sequencers.
  • 16-band vocoder section, each with level and pan controls.
  • Formant Motion function records up to 7.5 seconds of incoming formant information per Program so users can recreate vocoder effects even when no microphone is present.
  • Headset microphone included.
  • Two insert effects for each timbre, plus a program-wide master effect.
  • 30 included effects types range from delay, chorus and reverb, to compressor and talking modulator.
  • Vocoder Round-up

    Sure, the vocoder may now be something of an electronic music cliché now, but it got its beginnings as a mechanism of encoding speech. It was one of the first electronic instruments. It helped inspire the conceptual model for all digital communicatio

  • KORG Sound Inspiration event @ The Metro Centre!

    The M3 has landed, the R3 has arrived, so come along to the Korg Sound Inspiration event @ Dolphin Music Gateshead, on Thursday 8th November, to discover the power behind Korg’s new next-generation products.

  • NAMM 2007: Korg Introduces the next generation of Mobile Recorders

    Future-proof digital recording is here With the pristine fidelity and ultimate flexibility of 1-bit technology, the new, surprisingly affordable MR-1 and MR-1000 Recorders ensure that your location recordings and final masters are never obsolete.

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