Sony Oxford Trio A Bundle for Powercore

Buy the Sony Oxford Trio A Bundle for Powercore from Dolphin ...

• Online Price: £755.00 GBP (inc VAT)
• Euro Price: €954.65 EUR (1 GBP = 1.26444 EUR)
• Availability : Call 0844 815 0888 for availability
• Manufacturer SKU: Trio A Powercore   Dolphin ID: 6828
• Postage will be £6.99 per order.

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Trio A Bundle includes Inflator + Dynamics + EQ at a discounted bundle price.

Oxford EQ

The EQ plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed.
 

Features:

• Five band parametric design
• Selectable shelf settings on LF and HF sections LF and HF Filters providing up to 36dB/Octave slope
• Four selectable EQ types
• Fully decramped HF response
• Support for sample rates up to and including 192kHz(96kHz on Demo version)
• Fully automatable (including separate automation for A and B settings)
• Includes six plugins in total for optimal DSP usage(Mono and Stereo versions of EQ, Filters, and EQ and Filters)

Oxford Dynamics

The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.
 

Features:

• Channel Dynamics with separately controlled sections for Compressor, Limiter, Gate and Expander.
• Channel Dynamics includes fully featured 2 Band side chain EQ which can also be used in signal path.
• Separate Bus Compressor / Limiter with surround multi-format support and selectable Sub channel filtering and gain contribution control.
• Selectable linear and exponential time constant curves.
• Highly accurate logarithmic side chain processing.
• Fully variable soft ratio function for extreme programme tolerance and highly musical compression.
• Variable harmonic enhancement for extra loudness, presence and 'punch'.
• Selectable re-dithering function for word length reduction in mastering situations.
• Extremely low signal path noise and distortion, below -130dBr.
• All functions are fully automated.
  

Oxford Inflator

The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems.

Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.
 

Features:

• Increases the loudness of almost any programme material.
• Creates warmth, character and dynamic excitement, similar to that of analogue systems.
• Provides virtual headroom above digital maximum to allow percussive peaks to pass without causing signal overload.
• Creates artistic effects ranging from subtle tube-like harmonic characteristics for warmth, presence and 'in your face' fatness, to outright saturation distortion modelling.
• Features two modes of operation - direct and band split - for maximum flexibility and artistic creativity. These two modes also ensure optimal DSP usage.

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