As AudioTile’s tessellated panels are spread out, broadband absorption is maximized and the areas of exposed hard surface provide high frequency scattering. By doing this, we accomplish several major goals: providing a room with good low frequency control, creating a very tight sound in areas where drums or amplifiers might be placed, and simultaneously offering a nice reverberant sound in upper areas where overhead and/or ambient room microphones would be placed.

This design approach can give a room a very natural-sounding ambience while controlling undesirable acoustical anomalies. As you might imagine, AudioTile is perfect for a wide variety of aesthetic and acoustical environments. The result is a well-controlled space essentially void of reflection issues, but which is not a “dead space”, and a frequency response with minimal low-frequency modal concerns.

For voice, it can yield a “locked-on” fundamental of the voice talent- no hollowness, or resonance, simply a clear-open response. This is exceptionally suited for today’s broadcast standards that require the highest quality mics, mic preamps and processing. And there is still more science behind this great product: AudioTile uses our proprietary Studiofoam® formula. It’s the same formula that tens of thousands of our customers have entrusted to deliver Studiofoam’s superior durability and Class B flame retardancy for the past 25 years.

Back to the art part: AudioTile designs are fun and exciting and the possibilities are almost endless for you to create one-of-a- kind designs that fit the “personality” of your room. Just take a look at the pictures below to get an idea of the creative potential of the product.

• Quantity Per Box: 48 - Corner Turns per box / 24 ft²