Your laptop changed the way you live—and now new mobile tools can change the way you make music. That’s why we designed the revolutionary new M-Audio Ozone—the world’s first audio interface keyboard. It’s an all-in-one USB audio interface and USB MIDI interface, mic preamp, MIDI control surface and keyboard that’s no bigger than a laptop. Combined with your computer and software like Reason and Live, M-Audio Ozone delivers a complete personal mobile studio from input to output. Fits in a 19” rack or the optional Studio Pack or Oxygen Tank.

Features

• Built-in 2 x 2 24-bit/96kHz audio interface
• 25 keys (+/-4 octave transposition)
• 8 controller knobs assignable to any MIDI channel/parameter
• XLR mic input with built-in preamp and phantom power
• Instrument in with built-in preamp (balanced 1/4” TRS)
• Stereo aux in (balanced 1/4” TRS)
• Stereo out (1/4”); stereo headphone out
• 2 MIDI outputs (software out and keyboard out)
• Zero-latency direct monitoring
• Includes Maximum Audio Tools software bundle
• Includes power supply

Specifications

• Frequency response: +/- 0.3dB (20-20kHz)
• Dynamic range: 105dB (A-weighted)
• Signal-to-noise ratio: 105dB (typical, A-weighted)
• THD: < 0.002%
• USB recording
  • 16-bit/44.1kHz > 2-in/2-out
  • 24-bit/44.1kHz > 2-in/2-out
  • 24-bit/48kHz > 2-in/2-out
  • 24-bit/96kHz > 2-in or 2-out
• Size/weight: 16-1/2” (w) x 9-5/8” (d) x 3-1/4” (h); 3.6 lbs.

Compatibility

• ASIO 2
• MME
• Sound Manager
• Mac OS X Core Audio / Core MIDI

Minimum System Requirements

PC

• Windows 98SE / Me / 2000 (SP4) / XP (SP2 Home or Professional Edition only)*
• For 96kHz operation: Pentium III 500mHz w/ 128MB RAM
• For 48kHz operation: Pentium II 400 w/ 128MB RAM

* Home and Professional Edition only. Windows Media Center Edition is not currently supported.

Mac

• G3/G4* 500MHz
• OS 9.2.2, 128MB RAM; OS X 10.1.5, 10.2.6 or greater, 256MB RAM
• OMS 2.3.8 for MIDI under OS 9.2.2

* native USB port required; G3/G4 accelerator cards not supported

• M-Audio Hosts Public Enemy Remix Contest

  Public Enemy is giving fans a chance to remix their hit track, "Harder Than You Think." Enter to win a complete M-Audio home studio and 12-inch vinyl release on Obey Records.

• Edirol new releases for 2007 available now!

  The new Edirol products introduced at NAMM 2007 are now available from our web site.

• Using Technology to Support a Music Curriculum

  The newsletter this month includes some ideas that are in keeping with the theme of providing enriching educational opportunities for young people through music. Although such opportunities can come, for example, through simply playing an instrument we are keen at Dolphin Music to shed some light on the opportunities that are available through the use of music technology.

• Soundcard / Audio Interface Buying Guide

  Dolphin Music's Buying Guide to Soundcards

• Soundcard / Audio Interface Buying Guide

  Dolphin Music's Buying Guide to Soundcards

• Part 4: Interfaces and soundcards

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• Part 3: Section 1: MIDI controllers

  Long live software instruments! Gone are the days when you needed a stack of keyboards to create tunes, as everything can now be done inside your computer at the click of a mouse. However, do you really want to be playing all of that software with a mouse? Wouldn’t you rather be doing it all with a proper piano type keyboard? Eh? So doesn’t that mean a return to piles of keyboard again, the very thing that software replaced? No! All you need is one keyboard to control every soft instrument you own! So you’d better make sure it’s a good one, right? Yes, and fortunately, or unfortunately depending on your viewpoint, there are loads of different sorts to choose from so we will discuss all of them here. And if you already own a keyboard but need extra control, don’t worry, because in Section 2 we’ll be looking at some keyboardless controllers that will enhance your desktop music making no end…

• What does the bit depth and sample rate refer to?

  Most modern audio interfaces provide the facility to specify the bit depth and sample rate for a particualr project but what differences do these values actually make to the quality of the audio? To help you understand exactly what these measures of digital audio are refering to we have created this helpful guide.