The ultra-compact Mix Series are the answer for budget-conscious folks who refuse to sacrifice sound quality or reliability just to save a dime. Four models suit a variety of needs from desktop recording stations to smaller live gigs, for beginners and seasoned professionals alike. All four feature high quality sound, solid construction, and eye-catching cosmetics. See for yourself, pick one up at your local TAPCO dealer and check out why the Mix Series simply smashes the competition to bits.
No skimping on sound with the Mix Series, you no longer need to trade affordability for quality sound. The Mix 100 offers the best sounding preamps and EQ in its class, so you won't sound like an amateur, even if you're still learning your mixing chops.
Compact and portable. All that great sound potential is efficiently packed into the compact solid-steel Mix100 chassis. It won't eat up your precious desktop space, and practically fits in a car's glove compartment for you sneaky types. And don't worry about taking it out on the road. The Mix.100 is a durable performer you can trust for any small PA or remote recording assignment.
Intuitive design, comfortable to use. Small doesn't have to be cramped. Tapco have made the most of the Mix.100 by designing it to be comfortable to use by everybody, not just dwarves or kids under four years of age. The knobs and buttons are spaced intelligently, so if you don't have the slender fingers of a professional hand model, you wont have to use tweezers to do a tweak. And because the Mix Series is made by TAPCO, the controls are presented in a way that simply makes sense to beginners and pros alike.
Utility, utility, utility. The Mix.100 mixers are the perfect, cost-effective solution for applications ranging from home/project recording to professional video editing suites, to sound education labs and more. Giving you all of the essentials, the Mix-100 also offers conveniences like CD/tape I/O, super-accurate 4-segment Main Meters, phantom Power for professional-level condenser microphones and Active Direct Boxes, and a Kensington security lock, making it perfect for schools, dorm rooms, small churches, and anywhere a no-nonsense, die-hard, quality sounding compact mixer is needed.
Features
- 2 Mono Mic/Line inputs
- 4 Stereo Line Inputs
- 1 Aux Send
- Tape Input/Output
- Frequency Response Mic Input to any Output (Trim at 0 dB): +0, –1 dB, 10 Hz to 150 kHz; –3 dB, 10 Hz to 200 kHz
- Distortion THD and SMPTE IMD, 20Hz to 20kHz Mic Input to Main Output: < 0.005% @ +4 dBu output
- Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): –129 dBu
- Noise Residual Output Noise, Channel and Main Mix levels off Main, Ctrl Room, Phones: –106 dBu
- Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum
- Crosstalk Adjacent Inputs or Input to Output: –90 dB @ 1 kHz
- Input Gain Control Range: 0 dB to +50 dB
- Phantom Power: +48 VDC
- Mono Channel EQ (Mix.100) High: ±15 dB @ 12 kHz
- Mono Channel EQ (Mix.100) Mid: ±15 dB @ 2.5 kHz
- Mono Channel EQ (Mix.100) Low: ±15 dB @ 80 Hz
- Mixer Rated Output Main, Aux, Control Room: +4 dBu
- Mixer Rated Output Maximum Rated Output: +22 dBu
- Maximum Input Levels Mic Input: +12 dBu, Gain @ +10 dB
- Maximum Input Levels Line Input: +30 dBu, Gain @ +10 dB
- Maximum Input Levels Tape Input and Aux Returns: +22 dBu
- Input Impedance Mic Input: 2.6 kΩ, balanced
- Input Impedance Line Input: 20 kΩ, balanced
- Input Impedance Stereo Aux Returns: 20 kΩ, balanced
- Input Impedance CD/Tape In: 24 kΩ, unbalanced
- Output Impedance Main: 240 Ω, balanced; 120 Ω, unbalanced
- Output Impedance Ctrl Room, Aux Sends: 120 Ω
- Output Impedance Tape Output: 1 kΩ
- Output Impedance Phones Output: 25 Ω
- VU Meters Main Left and Right 4 segments: Clip (+18), +6, 0, –20; 0 LED = 0 dBu
- AC Power Requirements External Power Supply output: 18.5 VAC x 2 @ 150 mA; (3-pin AC power connection)
- External Power Supply AC input Europe: 240 VAC, 50 Hz
- Mix.100 Dimensions: Height 1.6 in/41 mm, Width: 8.5 in/215 mm, Depth: 10.2 in/259 mm, Weight: 3.1 lb/1.4 kg
