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Dynacord Powermate 600 - 3

Great Mixer with FX!

Dolphin id:
8222
Product SKU:
D112959

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The integration of mixing console, power amplifier and effects devices in a compact and modern unit reaches a new high with the PowerMate 600.

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The integration of mixing console, power amplifier and effects devices in a compact and modern unit reaches a new high with the PowerMate 600. With 6 Mic/Line as well as two Stereo/Line channels, two mixable 24-bit effects devices, a 7 band master equalizer and integrated 2 x 300 W power amplifier, the PowerMate 600 is the absolute allround solution for a multitude of applications, ideally suited to the needs of both single entertainers and small bands.

For schools, clubs or similar institutions, the PowerMate is the perfect tool for a wide range of sound reinforcement tasks. Safe and easy to carry, fast and simple to set up, intuitive and uncomplicated to operate, the smallest member of the PowerMate family delivers Dynacord quality in a compact, elegant frame.

Pro-mixing

All the features of a professional mixing console but without the bulk. With six Mic/Line and two Stereo/Line channels, three-band EQ in every channel, separate effects and monitor sends, a 7-band master equalizer and LED level meters in the master as well as every channel, the Power Mate 600 is a joy to use in any situation. There are other convenient features, too, such as a switchable Standby function, which allows you to feed the signal from a tape or MD recorder directly to the amplifiers without disturbing your mixer settings, as well as an additional mono output (with its own level control) to provide sound reinforcement to additional rooms and a headphone socket (also with its own level control).

Pro-power

Despite its compact dimensions, the PowerMate 600 is rated at 2 x 300 watts into 4 ohms and therefore offers large dynamic reserves with exceptionally low distortion and intermodulation values. All the safety features of Dynacord’s 19” amplifiers are on board as well as the patented LPN Filter technology for ultra-powerful bass reproduction and a superfast dynamic audio limiter, whilst the power supply offers the legendary 30% headroom.

Pro-effects

Two parallel and individually controlled 24-bit stereo digital effects devices with 48-bit algorithms offer a total of 198 live-optimised presets in studio quality. User-friendly Up/Down keys are used to select between room and plate reverb, echo reverb, mono/stereo delay and a large number of other special effects. Your preferred starting presets can be stored in program mode so as to be instantly available next time you switch on the device. The return signals of both effects devices can be switched singly or jointly into or out of the signal path either at the device or using a footswitch.

Specifications

  • Maximum Midband Output Power, 1 kHz, THD=1%, Dual Channel
    into 4 Ohms 2 x 270 W
    into 8 Ohms 2 x 180 W
  • Maximum Midband Output Power, 1 kHz, THD=1%, Single Channel
    into 4 Ohms 2 x 340 W
    into 8 Ohms 2 x 200 W
  • Rated Output Power, THD=0.1%, Single Channel
    into 4 Ohms 2 x 300 W
    into 8 Ohms 2 x 150 W
  • Maximum Output Voltage of power amplifier, no load 43 Vrms
    THD at 1kHz, MBW=80kHz
    MIC input to Main L/R output, +16 dBu, typical < 0.006%
    Power amplifier input to Speaker L/R output < 0.08%
  • DIM 30, power amplifier < 0.03%
  • IMD-SMPTE, power amplifier, 60Hz, 7 kHz < 0.2%
  • Frequency Response, -3dB ref. 1kHz
    Any input to any Mixer output 15Hz ... 60kHz
  • Any input to Speaker L/R output 30Hz ... 40kHz
  • Crosstalk, 1kHz
    Fader and AUX-Send attenuation > 80 dB
  • Channel to channel > 70 dB
  • CMRR, MIC input, 1kHz > 80 dB
  • Input Sensitivity, all level controls in max. position
    MIC input -74 dBu (155 ÌV)
  • LINE Input (Mono) -54 dBu (1.55 mV)
  • LINE Input (Stereo) -34 dBu (15.5 mV)
  • Power Amplifier Input +6 dBu (1.55 V)
  • Maximum Level, mixing desk
    MIC inputs + 11 dBu
  • Line inputs + 30 dBu
  • All other inputs + 20 dBu
  • Record Send output + 14 dBu
  • All other outputs + 20 dBu
  • Input Impedances
    MIC 1.8 k§Ù
    2 Track Return 10 k§Ù
    All other inputs > 15 k§Ù
  • Output Impedances
    Record Send 1 k§Ù
    Phones 47 §Ù
    All other outputs 75 §Ù
  • Equivalent Input Noise,
    MIC Input, A-weighted,150 §Ù -130 dBu
  • Noise, Channel inputs to Main L/R outputs, A-weighted
    Master fader down -90 dBu
  • Master fader 0 dB, Channel fader down -89 dBu
    Master fader 0 dB, Channel fader 0 dB, Channel gain unity -83 dBu
  • Signal/Noise-Ratio,
    power amplifier, A-weighted 105 dB
  • Equalization
    LO Shelving ± 15 dB / 60 Hz
  • MID Peaking ± 15 dB / 2.4 kHz
  • HI Shelving ± 15 dB / 12 kHz
  • Master EQ, 7-band, Stereo ± 10 dB
  • Phantom Power
    all MIC inputs +24 Vdc
  • Power Requirements
    Factory preset, 50 Hz ... 60 kHz 100V, 120V, 230V, 240V
  • Power Consumption
    at 1/8 maximum output power, 4§Ù 450 W
  • Dimensions, (W xHx D), mm 455.5 x 175.8 x 340.6
  • Weight, including lid 13 kg
  • Optional
    RMK-600 (Rack-Mounting-Kit PowerMate 600) 112 741
  • Gooseneck lamp, 12V/2.4W, 12”, XLR 112 700
  • FS11 (Footswitch with LED) 110 693

* Mixing desk in rated condition, Unity Gain (MIC Gain 20 dB), all faders position 0 dB, all pots in mid position, Master fader + 6dB, amplifier rated output power into 8 ohms, Dual channel, unless otherwise specified.

Image: Dynacord Powermate 600 - 3

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Dynacord Powermate 600 - 3 Reviews

9/10

Dynacord 600

I manage a female duo, we had a very sad mixing desk, but it did the job in the early days.
We now use the Dynacord 600, since using it we get regular work, the sound is excellent its light potable, can take a good knock. Its been dropped a few times, easy to use and sound checks are a sinch.
I would recommend this unit to anyone.

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