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Roland Fantom-G8 Synthesizer/Music Workstation, 88 Key

Fantom-G series provides new sonic depth

Dolphin id:37859 Product SKU:Fantom-G8

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The Roland Fantom-G8 88 Key Synthesizer/Music Workstation, is an amazing instrument that redefines the boundaries of playability and creativity. With its 88 Key “Ivory Feel” weighted keys and more, this workstation puts the Fantom G8 in another league. Specifically aimed at budding song writers, this workstation gives you everything you need to write and record an entire album.

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The Roland Fantom-G8 is part of the most powerful and luxurious live workstation range in Roland history. The Fantom-G8 is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer, first-class “Ivory Feel” weighted keys, and more.

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Roland Fantom-G8

  • Advanced sound engine with double wave capacity of previous flagship workstation
  • 2 x ARX expansion with SuperNATURAL
  • Extra-large 8.5” wide color LCD screen and mouse connectivity
  • Newly developed onboard audio/MIDI sequencer with 128 tracks including 24 audio tracks
  • Heavy-duty casing with aluminum panel
  • Keyboard: 61 keys, with velocity and channel aftertouch
  • Fantom Micro Site.

Here's what Roland have to say...

Driven by a powerful new audio processor, the Fantom-G series provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation.

The Fantom G series provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis.

The Fantom G series is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input.

The Fantom-G8 is loaded with a state-of-the-art effects engine, with multi-effects available for each Fantom-G sound/part. In 16-part multi-timbre mode, up to 22 effect routings can be used simultaneously. Create complex setups with 16 insert effects per patch, plus global reverbs and choruses. Mastering effects are provided for polishing songs created with the onboard sequencer.

The Fantom-G8 is outfitted with Roland’s top-of-the-line PHA II “Ivory Feel” keyboard. This amazing keyboard technology reproduces the real surface feel of ivory acoustic piano keys providing a familiar stability and comfort to the pianist. The white keys have a 2-piece structure which reduces the surface ‘click’ noise when playing. The newly developed keyboard surface material is designed to absorb moisture, ensuring a secure, slip-proof feel that your fingers will love.

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Roland Fantom-G8 Synthesizer/Music Workstation, 88 Key Reviews


Roland Fantom G8

The Roland Fantom G8 is without doubt the best Piano / Synth Workstation I ever owned. The points that sell it are simply - its looks - its keyboard action and feel / playability and its huge 8.5\" TFT colour screen which is mouse-controlled.

The sound has a clarity that out-classes the Fantom X. This difference is like the difference between 16bit and 24bit sounds. Everything sounds just that bit crisper and cleaner.

I particularly love the fact that the screen displays what you play and where and you can see exactly where your keyboard splits are. On most other keyboards, you would have to guess for example where your piano range ends and where your brass begins or you may have many splits where it is even more difficult. With the Fantom Gs you can clearly see it right in front of you in colour.

The keys themselves are weighted and have a lovely non-slip un-shiny ivory feel to them. Whilst the purists out there will always argue that a real piano is better, I would say that you can only make this comparison with its piano sounds and you cannot lose sight of the fact that this is an awesome synthesizer with keys that are so close to the real thing and some beautiful piano sounds - what more could you ask for.

Well there is plenty more; there are 2153 waveforms that provide you with 1500 preset sounds to keep you going covering all types of music. If this is not enough you can have another 512 user patches per project and you can have as many projects as you like. You can store them on a memory stick and simply load your project in, so you can invent sounds for the rest of your days. On top of this there are 512 preset “live sets” and “128 studio sets” and of course you can have another 512 user “live sets” and 128 user studio sets per project.

There is a fantastic sequencer which is 128 midi track / 24 audio track and you have such a large screen to edit your songs. You can have up to 50 songs per project and the note capacity is 1,000,000, and song length is a massive 9998 measures.

I also love the controls on the Fantom. Apart from the normal pitch bend / modulation, it has 8 sliders, one of which can be used to quickly go through all the patch list of sounds which are all sensibly organized into categories – I use this all of the time. There are also 4 control knobs and 2 assignable switches and Roland’s D-Beam – all great fun for live tweaking. There are also 16 Pads that you cannot stop yourself from playing and can be used for a variety of tasks from playing drums or rhythms, MIDI set ups, triggering samples and phrases to inputting numerical data. I was a little disappointed with the feel of these pads at first as they felt quite hard and I felt that the Fantom X’s pads were better but I have got used to their feel now. They are velocity and aftertouch sensitive and are large enough and spaced for accuracy.

There are also two expansion board slots for Roland’s new superNATURAL technology in the form of ARX boards. Roland has released 3 boards to date DRUMS, PIANO and BRASS. I am currently waiting to see what they bring out next.

I still feel I am only touching the surface of this beast of a Synth Workstation both with this review and my own use. I have not mentioned its great effects, mastering, sampling, connectivity, arpeggiators, drums sounds, rhythm pattern sets and of course it is Roland. I have bought many Roland products and the main thing I can say is “Reliability” – go on go out and buy one.

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