1-1/2 lbs. of hand-wired overdrive anarchy.

The Ibanez TS9 Tube Screamer Effects Pedal Original Reissue is just like the original in so many ways. Same factory, same components, same housing, same famous seasick-green paint, and the same crankin' overdrive that made the original one of the all-time classic pedals. Guitar Player called it the best.…

Cited as a major influence by wah-wah masters such as Hendrix, Clapton, and Vaughn—Buddy Guy helped establish the wah-wah as part of the blues vocabulary. To honor his contributions we have created the Crybaby Buddy Guy Signature Wah, featuring the Fasel Inductor for a sweet and singing top end, and two distinct user selectable wah voices—choose “DEEP” for a big…

Whether on his groundbreaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde's guitar playing is loud, tough, and relentless. Zakk's take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he looked no further than Dunlop. The result is the new Wylde Overdrive. This muscular stompbox…

This is the original wah-wah pedal used to create many classic rock sounds. Relied on by Jimi Hendrix, Eric Clapton, Joe Satriani, Buddy Guy, Slash, Kirk Hammett, Zakk Wylde and many other greats. A fast-reacting effect for unmistakable tone bending. Who's Using It: Eric Clapton Joe Perry - Aerosmith Lenny Kravitz …

The Fender® Bassman amplifier of the 1950’s evolved as the pro bassist’s answer to amplifying a great new invention: the Fender Precision Bass®. This powerful 50-watt rig could easily compete along with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even ...  an electric guitarist with a nice, new 10-watt amp! By the…

This amp has seen action in every imaginable musical venue and continues its musical legacy today! Whether you play rock, jazz, country, or whatever, this is what a clean electric guitar sounds like! Or add an upside-down Stratocaster guitar and a fuzz box ... Fender's 85-watt (at 4 ohms) Vintage Reissue of the ?65 Twin Reverb features 4…

The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to it's…

Shure SM58 unidirectional (cardioid) dynamic vocal microphone Massively versatile and suitable for everything from stage to studio use. Hard-wearing, rugged and reliable.

For kick drums and other bass instruments, nothing compares to the Shure Beta 91TM. The Beta 91 condenser cartridge combines superior "attack" and "punch" for studio quality sound -- even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass…

The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent…

For toms, snares and percussion instruments, no other microphone stands up to the performance and versatility of the new Shure Beta 98D/STM. The Beta 98D/S is a high performance mini-condenser microphone designed to excel at professional sound reinforcement or recording. Its ultra-uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. In addition, an optional…

The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. Features The SM81 is ruggedly constructed. It operates on phantom power and performs over…

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features A highly consistent cardioid polar pattern Ultra-thin, 2.5 micron, 24…

An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source. Features: Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range. Embossed, high-compliance…

Large single-diaphragm, side-address condenser microphone. Designed for studio use but rugged enough for live applications, the KSM27 has extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording. Features Cardioid polar pattern 1 inch, externally biased, ultra-thin, 24 Karat gold-layered, low mass, Mylar® diaphragm provides superior transient response…