I need to record my band...
Visiting studios can be a very costly affair, and usually just a couple of days will be spent on recording AND mixing something which simply takes a lot more time.
Since the early 90’s Cubase,Pro-Tools and other Audio Sequencers have changed the face of how audio is edited. Computers are now so advanced that now even the most humble of modern home PC’s can effectively run a fairly powerful workstation.
Combined with the ever growing range of Audio interfaces available and microphones at prices I previously only dreamed of, there is nothing stopping an interested musician/ engineer from running a full scale production from their rehearsal space or spare room.
Equipment round up
Edirol FA-101

This system is Ideal for live applications where the user requires multiple sends for live monitoring AND recording. This will do both excellently.
At an event, all of the band's hardware can be routed through the FA-101 to output to monitors and, at the same time, the show can be recorded. During the break, CDs can be burned to sell on the spot. The Performance DJ will rely on the FA-101’s rugged metal chassis for reliable, club-tough operation. Back at home, the FA-101 will return as the centerpiece to the home studio.
M-Audio NRV10

The NRV10™ is a new breed of gear that combines an 8 x 2 analog mixer and a 10 x 10 24-bit/96kHz digital audio interface in one convenient package—the perfect tool for computer-based recording and performance. Route and record mixer channels discretely to individual tracks in Pro Tools M-Powered 7.3, Ableton Live 6 and other software studios. You can also return multiple discrete audio channels from your computer to the NRV10 for CPU-free mixing and monitoring complete with on-board digital effects—great for live performances. And that means you don’t have to change settings like EQ and reverb in your files every time you play a new venue. Flexible monitoring options also make vocal/instrument recording and DJ-style audio previewing a breeze. And the included NRV10 interFX application allows you turn your NRV10 and host computer into a powerful live mixer with access to all of your VST effects. The NRV10 seamlessly integrates your computer with your studio—and bridges the gap between studio and stage as well.
Example set up using Alesis Multimix Firewire 16
Alesis MultiMix 8 FireWire

The MultiMix FireWire mixers are compact mixers featuring low noise analog electronics, 100 studio-grade 28 bit digital effects, and rock-solid construction. The mixer features high-gain mic/line preamps, phantom power, auxiliary send/returns, and on-board effects engine including reverbs, delays, chorus, flanging, 3-band EQ per channel with high/low shelving and mid band pass/reject.
Drum Microphone Kits
Samson 7kit - 7-piece Drum Mic Set

Everything you could want for micing drums. A complete set of our dynamic drum mics and a pair of C02 pencil condenser mics for overheads or close-micing cymbals.
Features
- Seven piece drum mic kit
- One Q Kick kick drum mic with mic stand swivel mount
- One Q Snare snare mic with rim clip
- Three Q Tom tom mics with rim clips
- Two C02 pencil condenser mics with shock-mount clips
- Gold-plated XLR connectors
- Road case included
Shure PGDMK6

A complete drum mic package. The PGDMK6 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, two PG81 instrument microphones, three A50D drum mounts, six 15ft. (4.5m) XLR-XLR cables and a durable carrying case.
- The PG56 is a compact drum microphone for close miking.
- The PG52 is a high-performance microphone tuned to capture low-end punch.
- The PG81 is a sensitive, flat response microphone ideal for overhead and cymbal miking.
- The A50D drum mount can be used on most standard drum rims. The flexible, yet sturdy rubber construction provides stability and ease of installation.