With the digital Solution-D microphone system, Neumann has now succeeded in bringing the dynamic range and signal fidelity of the best analog studio microphones into the digital realm. This means that, for the first time, the whole audio production signal chain is entirely digital. Optimal A/D conversion, especially developed synchronization technology and the capability of controlling standard microphone…

This is the NICKEL version The EA 1 is designed for the TLM 103, TLM 193 and M 147 Tube microphones. It has a swivel mount with a 5/8"-27 female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1/2"- and 3/8" studs.

This is the BLACK version The EA 1 is designed for the TLM 103, TLM 193 and M 147 Tube microphones. It has a swivel mount with a 5/8"-27 female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1/2"- and 3/8" studs. Please note the colour on the picture is wrong.

The EA 87 is designed for the U 87 Ai microphone. It has a swivel mount with a 5/8"-27 female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1/2"- and 3/8" studs.

The EA 87 is designed for the U 87 Ai microphone. It has a swivel mount with a 5/8"-27 female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1/2"- and 3/8" studs.  This unit has a nickel finish to match the nickel U87.

The slender shape and transmission characteristics described below make the KM184 especially suitable for a very wide range of tasks in the radio and television sector. The KM 184 microphones is the successors of the well proven KM 84, which has been used since the seventies worldwide with great success. Although the KM 184 has the same capsule as the…

The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones…

The slender shape and transmission characteristics described below make the KM184 especially suitable for a very wide range of tasks in the radio and television sector. The KM 184 microphones is the successors of the well proven KM 84, which has been used since the seventies worldwide with great success. Although the KM 184 has the same capsule as the…

The KMS 105 microphone has been developed to permit optimal transmission of the human voice, and are thus microphones of choice for demanding live applications. The KMS 105, which has already been available on the market for some time, has become an internationally recognized standard in the field of high-quality stage microphones. Due to its low self-noise and crosstalk…

The KMS 105 microphone has been developed to permit optimal transmission of the human voice, and are thus microphones of choice for demanding live applications. The KMS 105, which has already been available on the market for some time, has become an internationally recognized standard in the field of high-quality stage microphones. Due to its low self-noise and crosstalk…

The KU 100 dummy head is a binaural stereo microphone. It resembles the human head and has two microphone capsules built into the ears. When listening through high-quality headphones it gives the illusion of being right at the scene of the acoustic events. When using the KU 100 dummy head, the binaural stereo experience moves the listener…

The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless…

The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule - well-known from the legendary U 47 and M 49 microphones - is followed by a tube functioning as an impedance converter. In contrast to earlier concepts - utilizing a transformer - the tube is complemented with a transformerless output circuit design. The M 149 Tube can…

Pop screens provide excellent suppression of so-called pop noise, such as "p" or "t". They consist of a round, thin frame covered with black gauze on both sides. A gooseneck of about 30 cm (12") in length is mounted at the popshield. It will be attached to microphone stands by means of a clamp with a knurled screw.
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The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise. The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.…

The TLM 170R is a large diaphragm, studio condenser microphone with 5 polar patterns selected either by a rotary switch on the rear side of the microphone, or remotely by the N 48 R-2 dual phantom power supply / controller, (optional). "TLM" stands for Trans-formerless Microphone. The "R" denotes remote control capability. Remote control of microphone polar patterns had previously…

The TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio. The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range. The polar response is very…

The TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension. The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the…

The U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. Neumann…

The U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up…